Results
AMAZING STORIES.
Dunellen, NJ: Teck Publishing Corporation, 1933. Large octavo, single issue, cover by A. Sigmund, pictorial wrappers. Pulp magazine, bedsheet format. Includes "Beyond the End of Space," part 2 by John W. Campbell, Jr. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.
AMAZING STORIES.
Dunellen, NJ: Teck Publishing Corporation, 1933. Large octavo, single issue, cover by A. Sigmund, pictorial wrappers. Pulp magazine, bedsheet format. Fiction by Murray Leinster, A. Hyatt Verrill and others. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.
AMAZING STORIES.
Dunellen, NJ: Teck Publishing Corporation, 1933. Large octavo, single issue, cover by A. Sigmund, pictorial wrappers. Pulp magazine, bedsheet format. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.
ARGOSY.
New York: The Frank A. Munsey Company, 1933. Octavo, single issue, cover by Paul Stahr, pictorial wrappers. Pulp Magazine. Fiction by H. Bedford Jones, "The Terror of Algiers" part 1. Also part 2 of "Outlaws of Mars" by Otis Adelbert Kline.
ARGOSY.
New York: The Frank A. Munsey Company, 1933. Octavo, single issue, cover by Paul Stahr, pictorial wrappers. Pulp Magazine. Fiction by H. Bedford Jones ("Solomon in the Catacombs"), Ray Cummings, Murray Leinster, George F. Worts and others.
ASTOUNDING STORIES OF SUPER SCIENCE.
New York: The Clayton Magazines, Inc., 1933. Octavo, single issue, cover painting by Wesso[lowski], pictorial wrappers. Pulp magazine. Murray Leinster cover story. The penultimate Clayton issue. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 60-103.
ASTOUNDING STORIES.
New York: Street & Smith Publications, Inc., 1933. Octavo, single issue, pictorial wrappers. Pulp magazine. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 60-103.
ASTOUNDING STORIES.
New York: Street & Smith Publications, Inc., 1933. Octavo, single issue, pictorial wrappers. Pulp magazine. The first issue from Street & Smith. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 60-103.
ARGOSY.
New York: The Frank A. Munsey Company, 1933. Octavo, single issue, cover by Paul Stahr, pictorial wrappers. Pulp Magazine. Features part two of the serial "Lost on Venus" by Edgar Rice Burroughs. Heins, p. 149.
ARGOSY.
New York: The Frank A. Munsey Company, 1933. Octavo, single issue, cover by Paul Stahr, pictorial wrappers. Pulp Magazine. Features part four of the serial "Lost on Venus" by Edgar Rice Burroughs. Heins, p. 149.
LOST ON VENUS in ARGOSY [complete in seven issues].
New York: The Frank A. Munsey, Company, 1933. Octavo, seven issues, pictorial wrappers. Pulp magazine. Complete seven part serial "Lost on Venus." The second of the Carson of Venus stories. Zeuscher, Edgar Rice Burroughs: The Bibliography, pp. 173.
COSMOS (SERIAL NOVEL).
[Jamaica, New York: Conrad H. Ruppert, 1933-1935.]. Octavo, cloth. First edition. COSMOS, a legendary collaborative novel by eighteen authors, was published in seventeen parts as supplements to SCIENCE FICTION DIGEST (later FANTASY MAGAZINE), July 1933–January 1935. In order of appearance, contributors were Ralph Milne Farley, David G. Keller, Arthur J. Burks, Bob Olsen, Frances Flagg, John W. Campbell, Rae Winters, Otis Adelbert Kline and E. Hoffmann Price, Abner J. Gelula, Raymond A. Palmer, A. Merritt, J. Harvey Haggard, Edward E. Smith, P. Schuyler Miller, Lloyd A. Eshbach, Eando Binder, and Edmond Hamilton. The title page (designed by Hannes Bok) and table of contents were printed with the final issue. In 1946 Sam Moskowitz estimated that only thirty complete sets of COSMOS existed. Moskowitz, The Immortal Storm (1974), p. 16. Pavlat and Evans, Fanzine Index (1965), p. 19.
DETECTIVE FICTION WEEKLY.
New York: The Red Star News, Co., 1933. Octavo, single issue, pictorial wrappers. Pulp magazine. Fiction by Frederick Nebel" and others. "Detective Fiction Weekly maintained a strong personality in a crowded field, through a rigid weekly publication schedule, for two decades. It is greatly underrated today" - Cook, Mystery, Detective and Espionage Magazine, pp. 135-137.
DETECTIVE FICTION WEEKLY.
New York: The Red Star News, Co., 1933. Octavo, single issue, pictorial wrappers. Pulp magazine. Fiction by Frederick Nebel" and others. "Detective Fiction Weekly maintained a strong personality in a crowded field, through a rigid weekly publication schedule, for two decades. It is greatly underrated today" - Cook, Mystery, Detective and Espionage Magazine, pp. 135-137.
DIME DETECTIVE MAGAZINE.
Chicago: Popular Publications, Inc., 1933. Octavo, single issue, cover by William Reusswig, pictorial wrappers. Pulp magazine. Fiction by Carroll John Daly and others. Cook, Mystery, Detective and Espionage Magazine, pp. 168-170.
DIME DETECTIVE MAGAZINE.
Chicago: Popular Publications, Inc., 1933. Octavo, single issue, cover by William Reusswig, pictorial wrappers. Pulp magazine. Fiction by Carroll John Daly, Frederick C. Davis and others. Cook, Mystery, Detective and Espionage Magazine, pp. 168-170.
DIME DETECTIVE MAGAZINE.
Chicago: Popular Publications, Inc., 1933. Octavo, single issue, cover by William Reusswig, pictorial wrappers. Pulp magazine. Includes fiction by Carroll John Daly, George Harmon Coxe and others. Cook, Mystery, Detective and Espionage Magazine, pp. 168-170.
DETECTIVE FICTION WEEKLY.
New York: The Red Star News, Co., 1933. Octavo, pictorial wrappers. Pulp magazine. "The Leaden Honeymoon" by Erle Stanley Gardner. "Detective Fiction Weekly maintained a strong personality in a crowded field, through a rigid weekly publication schedule, for two decades. It is greatly underrated today" - Cook, Mystery, Detective and Espionage Magazine, pp. 135-137.
SKY FIGHTERS.
New York: Wm. L. Mayer & Co., Inc., 1933. Octavo, single issue, cover by E. Frandzen, pictorial wrappers. Pulp magazine. Air stories.
MYSTERY MAGAZINE: THE ILLUSTRATED DETECTIVE MAGAZINE [COVER TITLE].
Dunellen, N.J. Tower Magazines, Inc., 1933. Large octavo, single issue, pictorial wrappers. "The Murder Club" by H. Bedford Jones. Also fiction by Herman Landon, Barry Perowne and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.
MYSTERY MAGAZINE: THE ILLUSTRATED DETECTIVE MAGAZINE [COVER TITLE].
Chicago, IL: Tower Magazines, Inc., 1933. Large octavo, single issue, pictorial wrappers. "The House Under the Lake" by Herbert Adams. Also fiction by Stuart Palmer (Hildegarde Withers), Mignon G. Eberhart, Hulbert Footner, and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.
MYSTERY MAGAZINE: THE ILLUSTRATED DETECTIVE MAGAZINE [COVER TITLE].
Chicago, IL: Tower Magazines, Inc., 1933. Large octavo, single issue, pictorial wrappers. "The House Under the Lake" by Herbert Adams. Also fiction by Stuart Palmer (Hildegarde Withers), Mignon G. Eberhart, Hulbert Footner, and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.
THE SHADOW.
New York, NY: Street & Smith Publications, Inc., 1933. Octavo, single issue, pictorial wrappers. Pulp magazine. "The Isle of Doubt" by Maxwell Grant. Cook, Mystery, Detective and Espionage Magazines, pp. 486-491. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 570-573.
THE SHADOW.
New York, NY: Street & Smith Publications, Inc., 1933. Octavo, single issue, pictorial wrappers. Pulp magazine. "The Red Blot" by Maxwell Grant. Cook, Mystery, Detective and Espionage Magazines, pp. 486-491. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 570-573.
THE SHADOW.
New York, NY: Street & Smith Publications, Inc., 1933. Octavo, single issue, pictorial wrappers. Pulp magazine. "The Grove of Doom" by Maxwell Grant. Cook, Mystery, Detective and Espionage Magazines, pp. 486-491. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 570-573.