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THE VIEW FROM CHICKWEED'S WINDOW: A NOVEL OF SUSPENSE.
San Francisco, California, Columbia, PA: Underwood/Miller, 1979. Octavo, illustrated by Stephen Fabian, cloth. First edition. Limited to 450 copies. Signed by Vance on the title page. Mystery novel set in San Francisco. Hewett and Mallett, The Work of Jack Vance, A56.
THE ALASTOR TRILOGY: TRULLION: ALASTOR 2262, MARUNE: ALASTOR 933, WYST: ALASTOR 1716.
San Francisco, CA; Columbia, PA: Underwood-Miller, 1984. Octavo, cloth. First U. S. hardcover (volume 1), and first hardcover editions. One of 200 numbered sets signed by Vance. The three volumes which comprise the Alastor trilogy. Anatomy of Wonder (1981) 3-764. Hewett and Mallett, The Work of Jack Vance, A41i, A48i, 54f. Sargent, British and American Utopian Literature, 1516-1985, pp. 356; 372; 389.
THE ALASTOR TRILOGY: TRULLION: ALASTOR 2262, MARUNE: ALASTOR 933, WYST: ALASTOR 1716.
San Francisco, CA; Columbia, PA: Underwood-Miller, 1984. Octavo, cloth. First U. S. hardcover (volume 1), and first hardcover editions. One of 200 numbered sets signed by Vance. The three volumes which comprise the Alastor trilogy. Anatomy of Wonder (1981) 3-764. Hewett and Mallett, The Work of Jack Vance, A41i, A48i, 54f. Sargent, British and American Utopian Literature, 1516-1985, pp. 356; 372; 389.
ARAMINTA STATION.
New York: TOR, 1988. Octavo, Hardcover. First edition. Trade issue.
THE ASUTRA.
[New York: Dell Publishing Company, Inc., 1974]:. Small octavo, pictorial wrappers. First edition. Dell 3157. Paperback original. Signed by Vance on the title page. The third book in the Durdane series. Hewett and Mallett, The Work of Jack Vance, A45.
THE ASUTRA.
San Francisco, CA; Columbia, PA: Underwood-Miller, 1983. Octavo, cloth. First U. S. hardcover edition and first hardcover edition in English. The third and final volume in The Durdane trilogy. Hewett and Mallett, The Work of Jack Vance, A40h.
THE AUGMENTED AGENT AND OTHER STORIES.
San Francisco, CA, Columbia, PA: Underwood-Miller, 1986. Octavo, cloth. First edition. One of 200 numbered copies signed by Vance. Eight previously uncollected stories, the earliest first published in 1951. James Keith, the augmented agent, is a cyborg. Text of the stories edited by Tim Underwood and D. Ross Voyles with Vance's approval. - See Hewett & Mallet, pg. 150. Hewett and Mallett, The Work of Jack Vance, A77.
THE AUGMENTED AGENT AND OTHER STORIES.
San Francisco, CA, Columbia, PA: Underwood-Miller, 1986. Octavo, cloth. First edition. One of 200 numbered copies signed by Vance. Eight previously uncollected stories, the earliest first published in 1951. James Keith, the augmented agent, is a cyborg. Text of the stories edited by Tim Underwood and D. Ross Voyles with Vance's approval. - See Hewett & Mallet, pg. 150. Hewett and Mallett, The Work of Jack Vance, A77.
THE AUGMENTED AGENT AND OTHER STORIES.
San Francisco, CA, Columbia, PA: Underwood-Miller, 1986. Octavo, cloth. First edition. One of 200 numbered copies signed by Vance. Eight previously uncollected stories, the earliest first published in 1951. James Keith, the augmented agent, is a cyborg. Text of the stories edited by Tim Underwood and D. Ross Voyles with Vance's approval. - See Hewett & Mallet, pg. 150. Hewett and Mallett, The Work of Jack Vance, A77.
BAD RONALD.
San Francisco, California, Columbia, Pennsylvania: Underwood-Miller, 1982. Octavo, imitation leather. First hardcover edition. One of 200 numbered copies signed by Vance. A novel of suspense. Filmed in 1974 as a movie of the week for television. Hewett and Mallett, The Work of Jack Vance, A43c.
BAD RONALD.
San Francisco, California, Columbia, Pennsylvania: Underwood-Miller, 1982. Octavo, imitation leather. First hardcover edition. One of 200 numbered copies signed by Vance, this copy has the number crossed out and stamped "Presentation Copy." A novel of suspense. Filmed in 1974 as a movie of the week for television. Hewett and Mallett, The Work of Jack Vance, A43c.
BAD RONALD.
San Francisco, California, Columbia, Pennsylvania: Underwood-Miller, 1982. Octavo, cloth. First hardcover edition. A novel of suspense. Filmed in 1974 as a movie of the week for television. Hewett and Mallett, The Work of Jack Vance, A43c.
BAD RONALD.
San Francisco, California, Columbia, Pennsylvania: Underwood-Miller, 1982. Octavo, imitation leather. First hardcover edition. One of 200 numbered copies signed by Vance. A novel of suspense. Filmed in 1974 as a movie of the week for television. Hewett and Mallett, The Work of Jack Vance, A43c.
THE BAGFUL OF DREAMS.
San Francisco, CA; Columbia, PA: Underwood/Miller, 1979. Octavo, illustration by Stephen Fabian, pictorial wrappers. First edition. The further adventures of Cugel the Clever, and The Dying Earth. Hewett and Mallett, The Work of Jack Vance, A59.
THE BEST OF JACK VANCE.
New York: Taplinger Publishing Company, [1978]. Octavo, cloth backed boards. First hardcover edition. Collects six stories, including "The Last Castle" and "Rumfuddle." Introduction by Barry Malzberg. Offset from the Pocket Books edition (1976). Hewett and Mallett, The Work of Jack Vance, A51e.
THE BEST OF JACK VANCE.
New York: Taplinger Publishing Company, [1978]. Octavo, cloth backed boards. First hardcover edition. Signed by Vance on the title page. Collects six stories, including "The Last Castle" and "Rumfuddle." Introduction by Barry Malzberg. Offset from the Pocket Books edition (1976). Hewett and Mallett, The Work of Jack Vance, A51e.
BIG PLANET.
San Francisco, CA; Columbia, PA: Underwood-Miller, 1978. Octavo, illustrated by Steve Hickman, cloth. First printing of unabridged text. Limited to 1000 copies of which this is one of 889 unsigned trade copies. This edition restores the full text of the novel as first printed in magazine format. "In Big Planet Vance provided an sf model for the planetary romance which has been of significant use for forty years. The planet of this novel is a huge though Earthlike world, with enough landmass to provide realistic venues in which a wide range of social systems can operate..." - Malcolm J. Edwards and John Clute, SFE (online). Hewett and Mallett, The Work of Jack Vance A5j.
BIG PLANET.
New York: Avalon Books, [1957]. Octavo, cloth. First edition. "In Big Planet Vance provided an sf model for the planetary romance which has been of significant use for forty years. The planet of this novel is a huge though Earthlike world, with enough landmass to provide realistic venues in which a wide range of social systems can operate..." - Malcolm J. Edwards and John Clute, SFE (online). Hewett and Mallett, The Work of Jack Vance A5.
BIG PLANET.
San Francisco, CA; Columbia, PA: Underwood-Miller, 1978. Octavo, illustrated by Steve Hickman, cloth. First printing of unabridged text. This copy is signed by Vance on the title page. Limited to 1000 copies of which this is one of 889 unsigned trade copies. This edition restores the full text of the novel as first printed in magazine format. "In Big Planet Vance provided an sf model for the planetary romance which has been of significant use for forty years. The planet of this novel is a huge though Earthlike world, with enough landmass to provide realistic venues in which a wide range of social systems can operate..." - Malcolm J. Edwards and John Clute, SFE (online). Hewett and Mallett, The Work of Jack Vance A5j.
BIG PLANET.
New York: Avalon Books, [1957]. Octavo, cloth. First edition. Signed by Vance on the title page. "In Big Planet Vance provided an sf model for the planetary romance which has been of significant use for forty years. The planet of this novel is a huge though Earthlike world, with enough landmass to provide realistic venues in which a wide range of social systems can operate..." - Malcolm J. Edwards and John Clute, SFE (online). Hewett and Mallett, The Work of Jack Vance, A5.
BIG PLANET.
San Francisco, CA; Columbia, PA: Underwood-Miller, 1978. Octavo, illustrated by Steve Hickman, cloth. First printing of unabridged text. One of 111 numbered copies signed by Vance and artist Steve Hickman. This edition restores the full text of the novel as first printed in magazine format. "In Big Planet Vance provided an sf model for the planetary romance which has been of significant use for forty years. The planet of this novel is a huge though Earthlike world, with enough landmass to provide realistic venues in which a wide range of social systems can operate..." - Malcolm J. Edwards and John Clute, SFE (online). Hewett and Mallett, The Work of Jack Vance, A5j.
BIG PLANET.
San Francisco, CA; Columbia, PA: Underwood-Miller, 1978. Octavo, illustrated by Steve Hickman, cloth. First printing of unabridged text. Limited to 1000 copies of which this is one of 889 unsigned trade copies. This edition restores the full text of the novel as first printed in magazine format. "In Big Planet Vance provided an sf model for the planetary romance which has been of significant use for forty years. The planet of this novel is a huge though Earthlike world, with enough landmass to provide realistic venues in which a wide range of social systems can operate..." - Malcolm J. Edwards and John Clute, SFE (online). Hewett and Mallett, The Work of Jack Vance, A5j.
BIRD ISLE [and] TAKE MY FACE.
Los Angeles, CA; Columbia, PA: Underwood-Miller, 1988. Octavo, cloth. First limited editions. One of 500 numbered copies signed by Vance. A two volume set. Limited editions of two uncommon mystery titles. TAKE MY FACE was first published in 1957 as by Peter Held (pseudonym), BIRD ISLE was also first published in 1957 as ISLE OF PERIL by Alan Wade (pseudonym). Hewett and Mallett, The Work of Jack Vance - A6b, A7f.
BIRD ISLE [and] TAKE MY FACE.
Los Angeles, CA; Columbia, PA: Underwood-Miller, 1988. Octavo, cloth. First edition. One of 500 numbered copies signed by Vance. A two volume set. Limited editions of two uncommon mystery titles. TAKE MY FACE was first published in 1957 as by Peter Held (pseudonym), BIRD ISLE was also first published in 1957 as ISLE OF PERIL by Alan Wade (pseudonym). Hewett and Mallett, The Work of Jack Vance A6b, A7f.
BIRD ISLE [and] TAKE MY FACE.
Los Angeles, CA; Columbia, PA: Underwood-Miller, 1988. Octavo, cloth. First limited edition. One of 500 numbered copies signed by Vance. A two volume set. Limited editions of two uncommon mystery titles. TAKE MY FACE was first published in 1957 as by Peter Held (pseudonym), BIRD ISLE was also first published in 1957 as ISLE OF PERIL by Alan Wade (pseudonym). Hewett and Mallett, The Work of Jack Vance A6b, A7f.