Results
THE HAND OF OBERON.
Garden City, New York: Doubleday & Company, Inc., 1976. Octavo, boards. First edition. Signed by Zelany on the title page. The fourth volume in the Amber series. See-Barron (ed), Fantasy and Horror 7-388. Schlobin, The Literature of Fantasy 1145. Survey of Modern Fantasy Literature I, pp. 29-35. Tymn (ed), Fantasy Literature, pp. 183.
THE HAND OF OBERON.
Garden City, New York: Doubleday & Company, Inc., 1976. Octavo, boards. First edition. The fourth volume in the Amber series. See-Barron (ed), Fantasy and Horror 7-388. Schlobin, The Literature of Fantasy 1145. Survey of Modern Fantasy Literature I, pp. 29-35. Tymn (ed), Fantasy Literature, pp. 183.
THE HAND OF OBERON.
Garden City, New York: Doubleday & Company, Inc., 1976. Octavo, boards. First edition. The fourth volume in the Amber series. See-Barron (ed), Fantasy and Horror 7-388. Schlobin, The Literature of Fantasy 1145. Survey of Modern Fantasy Literature I, pp. 29-35. Tymn (ed), Fantasy Literature, pp. 183.
ISLE OF THE DEAD.
[London]: A Rapp and Whiting Book / Andre Deutsch, [1970]. Octavo, boards. First British and first hardcover edition. "Ornate sf/fantasy novel adventure novel involving a super-rich, near-immortal 'worldscaper' who is threatened by various aliens and alien gods." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 192. Nebula Award nominee. Anatomy of Wonder (2004) II-1309.
ISLE OF THE DEAD.
[London]: A Rapp and Whiting Book / Andre Deutsch, [1970]. Octavo, boards. First British and first hardcover edition. Signed on the title page by Zelazny. "Ornate sf/fantasy novel adventure novel involving a super-rich, near-immortal 'worldscaper' who is threatened by various aliens and alien gods." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 192. Nebula Award nominee. Anatomy of Wonder (2004) II-1309.
ISLE OF THE DEAD.
New York: Ace Books, Inc., [1969]. Small octavo, pictorial wrappers. First edition. Ace Books 37465. Paperback original. "Ornate sf/fantasy novel adventure novel involving a super-rich, near-immortal 'worldscaper' who is threatened by various aliens and alien gods." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 192. 1970 Nebula Award nominee. Anatomy of Wonder (2004) II-1309.
THE LAST DEFENDER OF CAMELOT.
San Francisco, CA, Columbia, PA: Underwood-Miller, 1981. Octavo, illustrations by Alicia Austin, cloth. Enlarged edition. Limited to 350 copies of which this is one of 333 numbered copies signed by Zelazny. Story collection. Contains four additional stories which are not in the paperback edition.
THE LAST DEFENDER OF CAMELOT.
New York: Published by Pocket Books, [1980]. Octavo, printed orange wrappers. Advance copy (uncorrected proof) of the first edition. Inscribed by Zelazny on the title page. Collects sixteen stories, including the Nebula award winning story "He Who Shapes" and the novella "Damnation Alley" which was the genesis for the novel.
LORD OF LIGHT.
London: Faber and Faber, [1968]. Octavo, cloth. First British edition. Pre-publication complimentary slip laid in forwarding book from the publisher with the publication date noted. Hugo award winner 1968, Nebula nominee, 1967. Anatomy of Wonder (1995) 4-517.
LORD OF LIGHT.
Garden City, New York: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. Hugo award winner 1968, Nebula nominee, 1967. "...his most sustained single tale, richly conceived and plotted, exhilarating throughout its considerable length. Some of the crew of a human colony ship, which has deposited its settlers on a livable world, have made use of advanced Technology (including Identity Transfer) to ensconce themselves in the role of gods, selecting their role models from the Hindu pantheon, including a fatally attractive She figure. But where Hinduism flourishes, the Buddha – in the shape of the protagonist Sam – must follow; and his liberation of the humans of the planet, who are mortal descendants of the original settlers, takes on aspects of both Prometheus and Coyote the Trickster. At points, Sam may seem just another of Zelazny's stable of slangy, raunchy, over-loved immortals; but the end effect of the book is liberating, wise, lucid." - Clute (ed.), SFE online. Anatomy of Wonder (1995) 4-517. Gerber, Utopian Fantasy (1973), p. 162. Survey of Science Fiction Literature III, pp. 1251-56.
LORD OF LIGHT.
Garden City, New York: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. Author's signature laid in. Hugo award winner 1968, Nebula nominee, 1967. "...his most sustained single tale, richly conceived and plotted, exhilarating throughout its considerable length. Some of the crew of a human colony ship, which has deposited its settlers on a livable world, have made use of advanced Technology (including Identity Transfer) to ensconce themselves in the role of gods, selecting their role models from the Hindu pantheon, including a fatally attractive She figure. But where Hinduism flourishes, the Buddha – in the shape of the protagonist Sam – must follow; and his liberation of the humans of the planet, who are mortal descendants of the original settlers, takes on aspects of both Prometheus and Coyote the Trickster. At points, Sam may seem just another of Zelazny's stable of slangy, raunchy, over-loved immortals; but the end effect of the book is liberating, wise, lucid." - Clute (ed.), SFE online. Anatomy of Wonder (2004) II-1310. Gerber, Utopian Fantasy (1973), p. 162. Survey of Science Fiction Literature III, pp. 1251-56.
LORD OF LIGHT.
Garden City, New York: Doubleday & Company, Inc., 1967. Octavo, cloth. First edition. Hugo award winner 1968, Nebula nominee, 1967. "...his most sustained single tale, richly conceived and plotted, exhilarating throughout its considerable length. Some of the crew of a human colony ship, which has deposited its settlers on a livable world, have made use of advanced Technology (including Identity Transfer) to ensconce themselves in the role of gods, selecting their role models from the Hindu pantheon, including a fatally attractive She figure. But where Hinduism flourishes, the Buddha – in the shape of the protagonist Sam – must follow; and his liberation of the humans of the planet, who are mortal descendants of the original settlers, takes on aspects of both Prometheus and Coyote the Trickster. At points, Sam may seem just another of Zelazny's stable of slangy, raunchy, over-loved immortals; but the end effect of the book is liberating, wise, lucid." - Clute (ed.), SFE online. Anatomy of Wonder (2004) II-1310. Gerber, Utopian Fantasy (1973), p. 162. Survey of Science Fiction Literature III, pp. 1251-56.
NINE PRINCES IN AMBER.
Garden City, New York: Doubleday & Company, Inc., 1970. Octavo, illustration by Amelia S. Edwards, cloth. First edition. The first volume in the Amber series. Barron (ed), Fantasy and Horror 7-388. Schlobin, The Literature of Fantasy 1143. Survey of Modern Fantasy Literature I, pp. 29-35. Tymn (ed), Fantasy Literature, pp. 180-82.
PRINCE OF CHAOS.
New York: William Morrow and Company, Inc., [1991]. Octavo, cloth backed boards. First edition. Review materials laid in. The tenth and final Amber novel.
PRINCE OF CHAOS.
[New York]: William Morrow and Company, Inc., [1991]. Octavo, printed wrappers. Advance copy (uncorrected proof) of the first edition. The tenth and final Amber novel.
A ROSE FOR ECCLESIASTES.
London: Rupert Hart-Davis, 1969. Octavo, boards. First British (and first hardcover) edition. The author's third book and first short story collection, issued earlier as a paperback original in the U.S. as Four For Tomorrow (1967). See Anatomy of Wonder (1995) 4-514.
A ROSE FOR ECCLESIASTES.
London: Rupert Hart-Davis, 1969. Octavo, boards. First edition. The author's third book and first short story collection, issued earlier as a paperback original in the U.S. as Four For Tomorrow (1967). See Anatomy of Wonder (1995) 4-514.
SIGN OF CHAOS.
New York: Arbor House, [1987]. Octavo, boards. First edition. The eighth Amber novel. Barron (ed), Fantasy Literature 4A-276.
THIS IMMORTAL.
New York & London: Garland Publishing, Inc., 1975. Octavo, cloth. First U. S. hardcover edition. Hugo award winner in 1966 in its shorter magazine version "...And Call Me Conrad." Anatomy of Wonder (1995) 4-518. This edition is offset from the 1973 Ace paperback edition.
THIS IMMORTAL.
New York & London: Garland Publishing, Inc., 1975. Octavo, cloth. First U. S. hardcover edition. Hugo award winner in 1966 in its shorter magazine version "...And Call Me Conrad." Anatomy of Wonder (1995) 4-518. This edition is offset from the 1973 Ace paperback edition.
THIS IMMORTAL.
Norwalk, CT: The Easton Press, [1986]. Octavo, illustrations by Vincent DiFate, full leather, a.e.g. Later edition. New introduction by Robert Silverberg. 1966 Hugo Award Winner. Part of the "Masterpieces of Science Fiction" series. Anatomy of Wonder (2004) II-1311.
THIS IMMORTAL.
Norwalk, CT: The Easton Press, [1986]. Octavo, illustrations by Vincent DiFate, full leather, a.e.g. Later edition. New introduction by Robert Silverberg. 1966 Hugo Award Winner. Collector's notes laid in. Issued as part of the Easton Press "Masterpieces of Science Fiction" series. Anatomy of Wonder (2004) II-1311.
TO SPIN IS MIRACLE CAT: POETRY.
San Francisco, CA, Columbia, PA: Underwood-Miller, 1981. Octavo, cloth. First edition. Limited to 720 copies this is one of the twenty of 220 hardcover copies marked "Presentation Copy" signed by Zelazny.
TODAY WE CHOOSE FACES
Boston: Gregg Press, 1978. Octavo, cloth. First U.S. hardcover edition. Signed by Zelazny. Text offset from that of the 1973 New American Library edition. New introduction by Robert Thurston.
TODAY WE CHOOSE FACES.
[London]: Millington, [1974]. Octavo, boards. First British (and first hardcover) edition. "In a normally peaceful future of enclosed urban enviroments, the seve members of a clone 'family' are mysteriously threatened by murder." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 382.