Results
AMAZING STORIES QUARTERLY.
Dunellen, N. J. Teck Publishing Corporation, 1932. Octavo, single issue, cover by Morey, pictorial wrappers. Pulp magazine, bedsheet format. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 51-57.
AMAZING STORIES QUARTERLY.
Dunellen, N. J. Teck Publishing Corporation, 1932. Octavo, single issue, cover by Morey, pictorial wrappers. Pulp magazine, bedsheet format. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 51-57.
AMAZING STORIES.
New York: Experimenter Publishing Company, 1926. Large octavo, single issue, cover by Frank R. Paul, pictorial wrappers. Pulp magazine, bedsheet format. Includes part 2 of "Station X" by George Winsor, other fiction by H. G. Wells, Garrett Serviss, and others. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.
AMAZING STORIES.
Jamaica, NY: Experimenter Publications, Inc., 1929. Large octavo, single issue, cover by Hugh Mackay, pictorial wrappers. Pulp magazine, bedsheet format. Includes a Jules Verne reprint, conclusion. Other fiction by David H. Keller, Irvin Lester and Fletcher Pratt, and others. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.
ASTOUNDING STORIES.
New York: Readers' Guild, Inc., 1931. Octavo, single issue, cover painting by Wesso[lowski], pictorial wrappers. Pulp magazine. This issue the magazine shortens title to just ASTOUNDING STORIES. Features the first published story by Harry Bates, "The Tentacles From Below," writing as Anthony Gilmore. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 60-103.
ASTOUNDING STORIES.
New York: Readers' Guild, Inc., 1931. Octavo, single issue, cover painting by Wesso[lowski], pictorial wrappers. Pulp magazine. Features a "Golden Atom" story by Ray Cummings, other authors included are Jack Williamson and Harl Vincent. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 60-103.
AVON FANTASY READER.
New York: Avon Book Company, [1947]. Small octavo single issue, pictorial wrappers. First edition. Digest size magazine. Authors in this book; C. L. Moore, William Fryer Harvey, Robert Bloch, Carl Jacobi, Stephen Vincent Benet, Clare Winger Harris, Robert W. Chambers, Frank Owen and C. M. Kornbluth. Editor Donald Wolheim and the publisher Joseph Meyers considered these to be books rather than a magazine anthology series and they brought to a mass audience some of the great genre fiction. Tymm and Ashley, Science Fiction, Fantasy and Weird Fiction Magazines, pp. 124-132.
SUPER SCIENCE STORIES.
Toronto: Fictioneers, Inc., 1949. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine, Canadian issue, issued simultaneously with the U. S. edition with identical story content, editorial control in New York. Includes "The Silence" by Ray Bradbury. Other fiction by Henry Kuttner, James Blish, Manly Wade Wellman and others. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 631-635.
SUPER SCIENCE STORIES.
Toronto: Fictioneers, Inc., 1949. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine, Canadian issue, issued simultaneously with the U. S. edition with identical story content, editorial control in New York. Includes "Changeling" by Ray Bradbury." Other fiction by John D. MacDonald, Arthur C. Clarke, and others. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 631-635.
FANTASY MAGAZINE.
Jamaica, New York: Conrad H. Ruppert, June, 1935. Octavo, single issue, printed self wrappers, stapled. First edition. Includes an autobiographical sketch by Stanley G. Weinbaum. In addition to original fiction, SCIENCE FICTION DIGEST featured biographical and autobiographical information on leading writers, artists, and editors. "For all-around quality SCIENCE FICTION DIGEST has never been surpassed in the history of fandom ... [In addition to special features it] printed solid, interesting, factual articles in every number. Up until the end of its life it remained the undisputed leader in the field, and its influence on the varied currents of fan history was profound indeed." - Moskowitz, The Immortal Storm (1974), p. 16. Pavlat and Evans, Fanzine Index (1965), p. 98 and p. 39. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, p. 838.
FUTURE combined with SCIENCE FICTION STORIES.
Holyoke, MA: Columbia Publications, Inc., 1951. Octavo, single issue, cover by Milton Luros, pictorial wrappers. Pulp magazine. Fiction by Frederik Pohl writing as "James MacCreigh," Wallace West, Richard Shaver, James Gunn writing as "Edwin James," and others. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 277-284.
MACKILL'S MYSTERY MAGAZINE [U.S. ISSUE].
London: Todd Publishing Group, Ltd., 1954. Small octavo, pictorial wrappers. Digest sized magazine. Well regarded mystery magazine which featured largely reprints featuring top-notch writers. The first few U.S. issues were U. K. issues with over printed U. S. prices, but that changed from April 1953 onwards (with printed printed price of .35). At that point the U.S. volume numbers did not match the date/volume numbers of the U.K. editions. This issue includes G.D.H. & M. Cole, Agatha Christie, Dorothy Sayers, Margery Allingham and others. See Cook, Mystery, Detective and Espionage Magazines, pp. 310-311.
PLANET STORIES.
New York: Love Romances, 1953. Octavo, single issue, cover by Anderson, pictorial wrappers. Pulp magazine. Includes "The Infinites" by Philip K. Dick (his third appearance in Planet). Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.
PLANET STORIES.
New York: Love Romances, 1953. Octavo, single issue, cover by Anderson, pictorial wrappers. Pulp magazine. Includes "The Infinites" by Philip K. Dick (his third appearance in Planet). Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.
PLANET STORIES.
New York: Love Romances, 1952. Octavo, single issue, cover by Vestal, pictorial wrappers. Pulp magazine. Incudes Philip K. Dick"s second professionally published story, "The Gun." Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.
PLANET STORIES.
New York: Love Romances, 1953. Octavo, single issue, cover by Anderson, pictorial wrappers. Pulp magazine. Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.
PLANET STORIES.
New York: Love Romances, 1951. Octavo, single issue, cover by Anderson, pictorial wrappers. Pulp magazine. Incudes "The Incubi of Parallel X" by Ted Sturgeon. Also fiction by Poul Anderson, Gordon R. Dickson Alfred Coppel, and others. Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.
PLANET STORIES.
New York: Love Romances, 1943. Octavo, single issue, cover by Gross. pictorial wrappers. Pulp magazine. Incudes fiction by Henry Kuttner, Nelson Bond, Fred Pohl writing as "James MacCreigh," and others. Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.
SUPER SCIENCE STORIES.
New York: Fictioneers, Inc., 1949. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine. Includes "The Silence" by Ray Bradbury. Other fiction by Henry Kuttner, James Blish, Manly Wade Wellman and others. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 631-635.
SCIENCE FICTION QUARTERLY.
Holyoke, MA: Columbia Publications, Inc., 1953. Octavo, single issue, cover by Jack Coggins, pictorial wrappers. Pulp magazine. Fiction by Milton Lesser, Bryce Walton and others. SFQ is also notable as it became the last published SF pulp magazine, the last issue in 1958. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 545-550.
WHISPERS.
Browns Mills, NJ: Stuart David Schiff, 1983. Octavo, single issue, cloth. First edition. Of 376 hardbound copies this is one of 350 numbered copies signed by Whitley Streiber and publisher Stuart Schiff. The Whitley Streiber issue. Contributors include Streiber, Charles Grant, Stephen Goldin, Manly Wade Wellman, Hugh B. Cave and others.
TALES OF WONDER.
Kingswood, Surrey: The World's Work (1913) Ltd., 1938. Octavo, single issue, cover art by W. J. Roberts, pictorial wrappers. Pulp magazine. Britain's first adult oriented science fiction magazine, at first publishing solely original material from British authors and reprints from U.S. magazines, and later adding new material from American authors. "Tales of Wonder was a lively, entertaining and enjoyable magazine..." Tymm and Ashley, Science Fiction, Fantasy and Weird Fiction Magazine, pp. 652-654. The magazine had to cease publication due to wartime paper restrictions after sixteen issues. Includes Edmond Hamilton, Francis Flagg, Stanton A. Coblentz, and others. Also includes a science article by Arthur C. Clarke, "Man's Empire of Tomorrow," his first professional appearance.
MYSTERY MAGAZINE: THE ILLUSTRATED DETECTIVE MAGAZINE [COVER TITLE].
Chicago, IL: Tower Magazines, Inc., 1934. Large octavo, single issue, pictorial wrappers. Fiction by Ellery Queen, Vincent Starrett, Mignon G. Eberhart, Hulbert Footner and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.
MYSTERY MAGAZINE: THE ILLUSTRATED DETECTIVE MAGAZINE [COVER TITLE].
Chicago, IL: Tower Magazines, Inc., 1933. Large octavo, single issue, pictorial wrappers. "The House Under the Lake" by Herbert Adams. Also fiction by Stuart Palmer (Hildegarde Withers), Mignon G. Eberhart, Hulbert Footner, and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.
MYSTERY MAGAZINE: THE ILLUSTRATED DETECTIVE MAGAZINE [COVER TITLE].
Chicago, IL: Tower Magazines, Inc., 1933. Large octavo, single issue, pictorial wrappers. "The House Under the Lake" by Herbert Adams. Also fiction by Stuart Palmer (Hildegarde Withers), Mignon G. Eberhart, Hulbert Footner, and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.