New York: Experimenter Publishing Company, 1926. Large octavo, single issue, cover by Frank R. Paul, pictorial wrappers. Pulp magazine, bedsheet format. This issue includes a reprint of "The Moon Hoax" by Richard Adams Locke. Also H. G. Wells, Garrett P. Serviss, Jules Verne and G. McLeod Winsor. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.

New York: Experimenter Publishing Company, 1928. Large octavo, single issue, cover by Frank R. Paul, pictorial wrappers. Pulp magazine, bedsheet format. The first appearance of the "scientifiction" logo on the cover, this logo was later adopted in more modern times by the members of "first fandom." This issue also includes part two of the serial "The Skylark of Space" by E. E. Smith and Lee Hawkins Garby. Other authors include Harl Vincent, David H. Keller, Fletcher Pratt and others. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.

New York: The Clayton Magazines, Inc., 1931. Octavo, single issue, cover painting by Wesso[lowski], pictorial wrappers. Pulp magazine. Features stories by Arthur J. Burks, R.F. Starzl and Ray Cummings. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 60-103.

Chicago, Illinois: H. H. Windsor Editor and Publishers, December 1916. Octavo, single issue, pictorial wrappers. Cartoon representation from both the U.S. and foreign sources. Commentary and cartoons about the recent election, much about the ongoing war in Europe. A feature piece on Dutch artist Louis Raemaekers at the front.

Kokomo, IN: Fictioneers, Inc., 1950. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine. Includes John D. MacDonald with two stories, the second as by Peter Reed. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 631-635.

Cornwall, CT: Mercury Press, Inc., 1990. Small octavo, pictorial wrappers. The special Stephen King issue. Includes original two stories, "The Bear" and "The Moving Finger," an essay on King by Algis Budrys and a bibliography.

Holyoke, MA: Columbia Publications, Inc., 1957. Octavo, single issue, cover by Emshwiller, pictorial wrappers. Pulp magazine. Includes "Midadjustment" by Philip K. Dick. SFQ is also notable as it became the last published SF pulp magazine, the last issue in 1958. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 545-550.

New York: Love Romances, 1954. Octavo, single issue, cover by Freas, pictorial wrappers. Pulp magazine. Includes fiction by Robert Sheckley. Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.

New York: Love Romances, 1953. Octavo, single issue, cover by Freas, pictorial wrappers. Pulp magazine. Includes a Leigh Brackett story. Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.

New York: Love Romances, 1954. Octavo, single issue, cover by Freas (mistakenly credited to Algis Budrys), pictorial wrappers. Pulp magazine. Includes a Leigh Brackett story as well as early fiction by Michael Shaara (who would write THE KILLER ANGELS). Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481.

Kokomo, IN: Fictioneers, Inc., 1950. Octavo, single issue, cover by Saunders, pictorial wrappers. Pulp magazine. Includes "Outcast of the Stars" by Ray Bradbury. Also fiction by A. E. Van Vogt, John D. MacDonald, Arthur C. Clarke, and others. Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 631-635.

Pasadena, TX: Glenn Lord, 1961-1973. Small octavo, printed wrappers. All published. A major source for material by and about Robert E. Howard. Many Howard poems, letters and fragments of fiction are printed here for the first time. Most issues are scarce, especially the early numbers.

Dunellen, N.J. Tower Magazines, Inc., 1933. Large octavo, single issue, pictorial wrappers. "The Murder Club" by H. Bedford Jones. Also fiction by Herman Landon, Barry Perowne and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.