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AMAZING STORIES.
New York: Experimenter Publishing Company, 1928. Large octavo, single issue, cover by Frank R. Paul, pictorial wrappers. Pulp magazine, bedsheet format. Includes "The Comet Doom" by Edmond Hamilton (depicted in the cover painting in what appears to be a robot cover it is an alien creature in a metal shell), other fiction by A. Hyatt Verrill, Jules Verne, H. G. Wells and others. Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49.
NYCTALOPS.
Albuquerque, NM: Silver Scarab Press, January - February 1975. Large octavo, single issue, pictorial wrappers. Well-regarded amateur journal devoted to the study of weird fiction, especially the work of H. P. Lovecraft and members of the Lovecraft circle. This issue devoted to Lovecraft and the Mythos.
NYCTALOPS.
Albuquerque, NM: Silver Scarab Press, January - February 1975. Large octavo, single issue, pictorial wrappers. Well-regarded amateur journal devoted to the study of weird fiction, especially the work of H. P. Lovecraft and members of the Lovecraft circle. This issue devoted to Lovecraft and the Mythos.
MYSTERY MAGAZINE: THE ILLUSTRATED DETECTIVE MAGAZINE [COVER TITLE].
Chicago, IL: Tower Magazines, Inc., 1934. Large octavo, single issue, pictorial wrappers. Fiction by Frederick Nebel, Ellery Queen, Norman Matson, Guy Endore, and others. A large format, densely illustrated, bedsheet-sized pulp. "The fiction emphasized the woman's point of view, was often narrated by a woman, and featured as many feminine as masculine detectives. In the rear of the magazine flowered all the usual departments of a more conventional woman's publication ... That this magazine would publish much fiction of interest seems improbable. But without effort, it contrived to be superb. ILLUSTRATED DETECTIVE selected outstanding writers who had made their mark in the 1920s and mingled these with rising writers of the 1930s. Over the years, the magazine would publish work by top names in the mystery field, including Ellery Queen, Stuart Palmer, Sax Rohmer, Arnold Kummer, Hulbert Footner, Vincent Starrett and H. Bedford-Jones. The fiction was polished, often strongly compressed, and good enough for a large amount of it to appear later between book covers. The magazine appeared monthly for almost six years, sixty-nine issues, at ten cents a copy. After three years, the title was changed to THE MYSTERY MAGAZINE ... Covers were tasteful, bright, and uneventful, relying heavily on the faces of self-confident women. Inside was an astonishing amount of material: eight to ten pieces of fiction, four or more crime-fact articles, and up to ten continuing departments (about half of these slanted directly toward women). When the magazine was at its peak in the early 1930s, it offered material carefully calculated to appeal to most tastes and both sexes ... MYSTERY was as meticulously planned as an orchestral score. Its careful variations played upon every shade of reader interest. It was consciously polished, self-consciously feminine. A curious pared sound rang in its fiction, as if the stories had been edited with a chain saw, but the prose flashed with a bright nickel glitter. Slick the magazine may have been, and often over illustrated, but it was also considerably interesting and, for years, excellent." - Cook, Mystery, Detective, and Espionage Magazines, pp. [287]-90.