Film & TV source books
THE LAD AND THE LION.
Tarzana, California: Edgar Rice Burroughs, Inc. Publishers, [1938]. Octavo, pp. [1-6] 7-317 [318: blank] [319: ads] [320: blank], five inserted plates with illustrations by John Coleman Burroughs, original pebbled blue cloth, front and spine panels stamped in orange, top edge stained red. First edition. Inscribed and signed by Burroughs on the front free end paper. Adventure fiction set in contemporary North Africa. The Lad and the Lion, a 1917 silent film made by the Selig Polyscope Company was the first motion picture based on a Burroughs story. Reginald 02287. Heins LL-1.
THE LAD AND THE LION.
Tarzana, California: Edgar Rice Burroughs, Inc. Publishers, [1938]. Octavo, pp. [1-6] 7-317 [318: blank] [319: ads] [320: blank], five inserted plates with illustrations by John Coleman Burroughs, original pebbled blue cloth, front and spine panels stamped in orange, top edge stained red. First edition. Adventure fiction set in contemporary North Africa. The Lad and the Lion, a 1917 silent film made by the Selig Polyscope Company was the first motion picture based on a Burroughs story. Reginald 02287. Heins LL-1.
A PRINCESS OF MARS.
Chicago: A. C. McClurg & Co., 1917. Octavo, pp. [i-vi] vii-xii [xiii-xvi] 1-326 [327] [328: blank], five inserted plates with illustrations by Frank E. Schoonover, original dark brown cloth, front and spine panels stamped in orange. First edition. The first book of the Mars series. Burroughs' first published story (written in 1911) and his only story to originally appear under a pseudonym. The story first appeared under the byline "Norman Bean" (he had intended that pen name be "Normal Bean") as a six-part serial "Under the Moons of Mars" in a Munsey magazine, THE ALL-STORY, February-July 1912. This novel preceded the first publication of "Tarzan of the Apes," published in the October 1912 issue of THE ALL-STORY. This popular novel inspired numerous writers and influenced the space faring sword and raygun stories as well as influencing scientists and filmakers. "...this pioneering account of John Carter's magical transmission to the the planet Mars and his subsequent baroque adventures established a new template for fiction set on other planets, developing such imaginative spaces as arenas for exuberantly uninhibited tales of exotic derring-do ... Although it hardly qualifies as science-based speculative fiction, Burroughs's account of Barsoom was enormously influential in pulp SF, standing at the head of a rich subgenre of 'planetary romances' whose evolution was carried forward by such writers as C. L. Moore, Leigh Brackett, and Ray Bradbury." - Anatomy of Wonder (2004) II-194. Made into a feature film in 2012 as "John Carter." Anatomy of Wonder (1976) 2-31; (1981) 1-31; (1987) 1-17; and (1995) 1-17. Barron (ed), Fantasy Literature 3-61. Bleiler, Science-Fiction: The Early Years 304. Cawthorn and Moorcock, Fantasy: The 100 Best Books 25. Clareson, Science Fiction in America, 1870s-1930s 115. Survey of Science Fiction Literature IV, pp. 1720-25. In 333. Bleiler (1978), p. 35. Reginald 02307. Heins PM-1.
A PRINCESS OF MARS.
Chicago: A. C. McClurg & Co., 1917. Octavo, pp. [i-vi] vii-xii [xiii-xvi] 1-326 [327] [328: blank], five inserted plates with illustrations by Frank E. Schoonover, original dark brown cloth, front and spine panels stamped in orange. First edition. The first book of the Mars series. Burroughs' first published story (written in 1911) and his only story to originally appear under a pseudonym. The story first appeared under the byline "Norman Bean" (he had intended that pen name be "Normal Bean") as a six-part serial "Under the Moons of Mars" in a Munsey magazine, THE ALL-STORY, February-July 1912. This novel preceded the first publication of "Tarzan of the Apes," published in the October 1912 issue of THE ALL-STORY. This popular novel inspired numerous writers and influenced the space faring sword and raygun stories as well as influencing scientists and filmakers. "...this pioneering account of John Carter's magical transmission to the the planet Mars and his subsequent baroque adventures established a new template for fiction set on other planets, developing such imaginative spaces as arenas for exuberantly uninhibited tales of exotic derring-do ... Although it hardly qualifies as science-based speculative fiction, Burroughs's account of Barsoom was enormously influential in pulp SF, standing at the head of a rich subgenre of 'planetary romances' whose evolution was carried forward by such writers as C. L. Moore, Leigh Brackett, and Ray Bradbury." - Anatomy of Wonder (2004) II-194. Made into a feature film in 2012 as "John Carter." Anatomy of Wonder (1976) 2-31; (1981) 1-31; (1987) 1-17; and (1995) 1-17. Barron (ed), Fantasy Literature 3-61. Bleiler, Science-Fiction: The Early Years 304. Cawthorn and Moorcock, Fantasy: The 100 Best Books 25. Clareson, Science Fiction in America, 1870s-1930s 115. Survey of Science Fiction Literature IV, pp. 1720-25. In 333. Bleiler (1978), p. 35. Reginald 02307. Heins PM-1.
A PRINCESS OF MARS.
Chicago: A. C. McClurg & Co., 1917. Octavo, pp. [i-vi] vii-xii [xiii-xvi] 1-326 [327] [328: blank], five inserted plates with illustrations by Frank E. Schoonover, original dark brown cloth, front and spine panels stamped in orange. First edition. The first book of the Mars series. Burroughs' first published story (written in 1911) and his only story to originally appear under a pseudonym. The story first appeared under the byline "Norman Bean" (he had intended that pen name be "Normal Bean") as a six-part serial "Under the Moons of Mars" in a Munsey magazine, THE ALL-STORY, February-July 1912. This novel preceded the first publication of "Tarzan of the Apes," published in the October 1912 issue of THE ALL-STORY. This popular novel inspired numerous writers and influenced the space faring sword and raygun stories as well as influencing scientists and filmakers. "...this pioneering account of John Carter's magical transmission to the the planet Mars and his subsequent baroque adventures established a new template for fiction set on other planets, developing such imaginative spaces as arenas for exuberantly uninhibited tales of exotic derring-do ... Although it hardly qualifies as science-based speculative fiction, Burroughs's account of Barsoom was enormously influential in pulp SF, standing at the head of a rich subgenre of 'planetary romances' whose evolution was carried forward by such writers as C. L. Moore, Leigh Brackett, and Ray Bradbury." - Anatomy of Wonder (2004) II-194. Made into a feature film in 2012 as "John Carter." Anatomy of Wonder (1976) 2-31; (1981) 1-31; (1987) 1-17; and (1995) 1-17. Barron (ed), Fantasy Literature 3-61. Bleiler, Science-Fiction: The Early Years 304. Cawthorn and Moorcock, Fantasy: The 100 Best Books 25. Clareson, Science Fiction in America, 1870s-1930s 115. Survey of Science Fiction Literature IV, pp. 1720-25. In 333. Bleiler (1978), p. 35. Reginald 02307. Heins PM-1.
TARZAN OF THE APES.
New York: A. L. Burt, 1915. Octavo, Hardcover. Early Reprint. First of the series. Heins TA-5.
TARZAN OF THE APES.
New York: Grosset & Dunlap Publishers, n.d., [c. 1927-30]. Octavo, pp. [1-8] 1-392, inserted illustrated frontispiece, original red cloth front front and spine stamped in black. Later edition. First of the Tarzan series. Heins TA-6. Luke, Bibliography of the Grosset & Dunlap Reprints TA-2b. Jacket variant 3b.
TARZAN OF THE APES.
Chicago: A.C. McClurg & Co., 1914. Octavo, pp. [1-10] 1-400 [401] [402-406: blank] [note: first and last two leaves are blanks], original red cloth, front stamped in blind and gold, spine stamped in gold. First edition, first printing with "W. F. Hall Printing Co. / Chicago" set in Old English type on two lines on verso of title leaf, first binding without acorn device on spine panel. Signed leaf by Burroughs tipped in. First of the Tarzan novels, one of the iconic characters of 20th century fiction, basis for many films, radio and television shows. Anatomy of Wonder (1976) 2-32; (1981) 1-32; (1987) 1-18; and (1995) 1-18. Barron (ed), Fantasy Literature 3-62. Bleiler, Science-Fiction: The Early Years 315. Cawthorn and Moorcock, Fantasy: The 100 Best Books 26. Clareson, Science Fiction in America, 1870s-1930s 125. Survey of Modern Fantasy Literature IV, 1884-90. Survey of Science Fiction Literature V, pp. 2229-35. In 333. Bleiler (1978), p. 36. Reginald 02331. Heins TA-2. Blanck, Peter Parley to Penrod, p. 134.
KISS THE BLOOD OFF MY HANDS.
New York: Farrar & Rinehart, Inc., [1946]. Octavo, cloth. First U. S. edition. A dark mystery. The violent protaganist kills a man and eventually lands in jail for another crime. A woman whom, he can't stay away from, tries to keep him out of trouble. A witness to the murder comes forward and the woman murders him. "A tight narrative of recklessness, ruthlessness, which in its way is holding." - Kirkus Review, 28 February, 1946. Basis for the film noir of the same title with Burt Lancaster and Joan Fontaine. Hubin, p. 123. Johnson, The Dark Page (1), p. 42. Selby, Dark City: The Film Noir, 220. Silver and Ward (eds.), Film Noir: An Encyclopedic Reference to the American Style (3rd edition), pp. 159-160.
KISS THE BLOOD OFF MY HANDS.
New York: Farrar & Rinehart, Inc., [1946]. Octavo, cloth. First edition. A dark mystery. The violent protaganist kills a man and eventually lands in jail for another crime. A woman whom, he can't stay away from, tries to keep him out of trouble. A witness to the murder comes forward and the woman murders him. "A tight narrative of recklessness, ruthlessness, which in its way is holding." - Kirkus Review, 28 February, 1946. Basis for the film noir of the same title with Burt Lancaster and Joan Fontaine. Hubin, p. 123. Johnson, The Dark Page (1), p. 42. Selby, Dark City: The Film Noir, 220. Silver and Ward (eds.), Film Noir: An Encyclopedic Reference to the American Style (3rd edition), pp. 159-160.
LOVE'S LOVELY COUNTERFEIT.
New York: Alfred A. Knopf, 1942. Octavo, [1-8] [1-2] 3-218 [219-220: blank], original red cloth, front, spine and rear stamped in black, top edge stained red. First edition. The novel is "...a brutal picture of a corrupt, crime-ridden town in the manner of Hammett's RED HARVEST and McCoy's NO POCKETS IN A SHROUD..." - Pederson (ed.), St. James Guide to Crime and Mystery Writers, (4th ed.), pp. 144. Filmed in 1956 as Slightly Scarlet, a film noir, directed by Allan Dwan with John Payne, Rhonda Fleming and Arlene Dahl. Silver and Ward (eds.), Film Noir: An Encyclopedic Reference to the American Style (3rd edition), pp. 259-260. Keaney, Film Noir Guide, p. 390. Johnson, The Dark Page II, p. 30.
LOVE'S LOVELY COUNTERFEIT.
New York: Alfred A. Knopf, 1942. Octavo, [1-8] [1-2] 3-218 [219-220: blank], original red cloth, front, spine and rear stamped in black, top edge stained red. First edition. The novel is "...a brutal picture of a corrupt, crime-ridden town in the manner of Hammett's RED HARVEST and McCoy's NO POCKETS IN A SHROUD..." - Pederson (ed.), St. James Guide to Crime and Mystery Writers, (4th ed.), pp. 144. Filmed in 1956 as Slightly Scarlet, a film noir, directed by Allan Dwan with John Payne, Rhonda Fleming and Arlene Dahl. Silver and Ward (eds.), Film Noir: An Encyclopedic Reference to the American Style (3rd edition), pp. 259-260. Keaney, Film Noir Guide, p. 390. Johnson, The Dark Page II, p. 30.
WHO GOES THERE?: SEVEN TALES OF SCIENCE FICTION.
Chicago: Shasta Publishers, 1951. Octavo, original tan cloth with green lettering to the spine, top edge stained green. Second edition. Signed by Campbell on the front free end paper. The second edition (so stated on the copyright page) with the 1951 movie tie-in dust jacket. Classic collection of stories first published under Campbell's pseudonym, Don A. Stuart, in ASTOUNDING SCIENCE FICTION between 1934 and 1938. "These short stories are much better than the author's novel-length space operas, and constitute a fascinating body of work." - Anatomy of Wonder (1995) 2-13. The title story has been filmed twice, the first in 1951 as "The Thing From Another World", one of the classic Science Fiction films of the 1950s (with James Arness in the title role), and by John Carpenter in 1982 as "The Thing." See Anatomy of Wonder (2004) II-211. See Survey of Science Fiction Literature IV, pp. 2003-07.
THE BLOODY CHAMBER: AND OTHER STORIES.
London: Victor Gollancz Ltd, 1979. Octavo, boards. First edition. Ten fantasies including "The Company of Wolves," (filmed in 1984 by Neil Jordan). "The Bloody Chamber is often wrongly described as a group of traditional fairy tales given a subversive feminist twist. In fact, these are new stories, not re-tellings. As Angela Carter made clear, "My intention was not to do 'versions' or, as the American edition of the book said, horribly, 'adult' fairy tales, but to extract the latent content from the traditional stories and to use it as the beginnings of new stories." She knew from the start that she was drawn to "Gothic tales, cruel tales, tales of wonder, tales of terror, fabulous narratives that deal directly with the imagery of the unconscious". "The Bloody Chamber is like a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality - heterosexual female sexuality - which, unusually for the time, 1979, are told from a heterosexual female viewpoint." "The stories in The Bloody Chamber reverberate with deep and unmistakable imaginative pleasure. There is an astonishing extravivid materiality to this alternative world she invented..." - New review by Helen Simpson in The Guardian, 24 June, 2006. Barron (ed.) Fantasy Literature 4A-63. See Barron (ed), Fantasy and Horror (1999) 6-81.
THE BLOODY CHAMBER: AND OTHER STORIES.
London: Victor Gollancz Ltd, 1979. Octavo, boards. First edition. Ten fantasies including "The Company of Wolves," (filmed in 1984 by Neil Jordan). "The Bloody Chamber is often wrongly described as a group of traditional fairy tales given a subversive feminist twist. In fact, these are new stories, not re-tellings. As Angela Carter made clear, "My intention was not to do 'versions' or, as the American edition of the book said, horribly, 'adult' fairy tales, but to extract the latent content from the traditional stories and to use it as the beginnings of new stories." She knew from the start that she was drawn to "Gothic tales, cruel tales, tales of wonder, tales of terror, fabulous narratives that deal directly with the imagery of the unconscious". "The Bloody Chamber is like a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality - heterosexual female sexuality - which, unusually for the time, 1979, are told from a heterosexual female viewpoint." "The stories in The Bloody Chamber reverberate with deep and unmistakable imaginative pleasure. There is an astonishing extravivid materiality to this alternative world she invented..." - New review by Helen Simpson in The Guardian, 24 June, 2006. Barron (ed.) Fantasy Literature 4A-63. See Barron (ed), Fantasy and Horror (1999) 6-81.
THE BLOODY CHAMBER: AND OTHER STORIES.
London: Victor Gollancz Ltd, 1979. Octavo, boards. First edition. Ten fantasies including "The Company of Wolves," (filmed in 1984 by Neil Jordan). "The Bloody Chamber is often wrongly described as a group of traditional fairy tales given a subversive feminist twist. In fact, these are new stories, not re-tellings. As Angela Carter made clear, "My intention was not to do 'versions' or, as the American edition of the book said, horribly, 'adult' fairy tales, but to extract the latent content from the traditional stories and to use it as the beginnings of new stories." She knew from the start that she was drawn to "Gothic tales, cruel tales, tales of wonder, tales of terror, fabulous narratives that deal directly with the imagery of the unconscious". "The Bloody Chamber is like a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality - heterosexual female sexuality - which, unusually for the time, 1979, are told from a heterosexual female viewpoint." "The stories in The Bloody Chamber reverberate with deep and unmistakable imaginative pleasure. There is an astonishing extravivid materiality to this alternative world she invented..." - New review by Helen Simpson in The Guardian, 24 June, 2006. Barron (ed.) Fantasy Literature 4A-63. See Barron (ed), Fantasy and Horror (1999) 6-81.
THE MYSTERIES OF PITTSBURGH.
New York: William Morrow and Company, Inc., [1988]. Octavo, cloth backed boards. First edition. The author's first novel. Made into a film released in 2008.
THE LADY IN THE LAKE.
New York: Editions for the Armed Services, Inc., n.d. [1945]. Small octavo, pictorial wrappers. First paperback edition. Armed Services #838. Philip Marlowe. Issued for military servicemen. Bruccoli: Raymond Chandler: A Descriptive Bibliography, A4.3.
DARK DUET.
New York: Dodd, Mead & Company, 1943. Octavo, pp. [1-10] 1-240 [241-242: blank], original green cloth, front and spine stamped in dark green, fore-edge uncut. First U. S. edition. WW II espionage book. The first of the "Dark" series. "Cheyney does an excellent job of conveying the world of spying, with all its twists and double crosses. No one is what he seems, and everyone knows that; but no one is sure just what anyone else really is. Readers of John le Carré and William Haggard would recognize Cheyney's world at once." - Pronzini and Muller, 1001 Midnights, The Aficionado's Guide to Mystery and Detective Fiction, p. 136. Hubin, pp. 160-161.
NO BLADE OF GRASS.
New York: Simon and Schuster, [1956]. Octavo, cloth backed boards. First edition. "A rapidly mutating virus wipes out all of Earth's grasses, including grain crops." -Anatomy of Wonder (1995) 3-42. Published in the U.K. as Death of Grass. Filmed in 1970.
THE SUM OF ALL FEARS.
New York: Putnam, 1991. Octavo, cloth backed boards. First edition.
A CRY IN THE NIGHT.
New York: Simon and Schuster, [1982]. Octavo, cloth backed boards. First edition. Signed inscription by Clark on the title page. Produced as a made for television film in 1992.
STILLWATCH.
New York: Simon and Schuster, [1984]. Octavo, cloth backed boards. First edition. Signed by Clark on the title page. Produced as a made for television film in 1987.
2001: A SPACE ODYSSEY.
New York: New American Library, 1968. Octavo, boards. First edition. Novelization of the film screenplay by Clarke and Stanley Kubrick which was based in part on Clarke's short story "The Sentinel." Anatomy of Wonder (2004) II-254. Survey of Science Fiction Literature V, pp. 2343-9.
2010: ODYSSEY TWO.
New York: Ballantine Books, [1982]. Octavo, cloth backed boards. First edition. In this sequel to 2001: A SPACE ODYSSEY (1968), "a joint Russian/American expedition to Jupiter resurrects HAL and discovers life on Europa; then the intelligence controlling the monoliths of 2001 begins to move in its characteristically mysterious way, sending a messiah to Earth to save humankind and issuing a new commandment forbidding access to Europa. The combination of technological realism and awed mysticism works as well in these novels as anywhere else in Clarke's work, and the religious imagery is even more pronounced than in CHILDHOOD'S END (1953)." - Anatomy of Wonder (2004) II-254. Made into a film in 1984 directed by Peter Hyams.