New York: Ace Books, [1979]. Octavo, cloth backed boards. First edition. Fantasy novel.

London: Rex Collins, 1972. Octavo, boards. First edition. Published 14 November 1972 in an edition of 2500 copies. Winner of the Guardian Award and the Carnegie Medal. Barron (ed), Fantasy Literature 4B-1. Pringle, Modern Fantasy: The Hundred Best Novels 51. Schlobin, The Literature of Fantasy 4. Survey of Modern Fantasy Literature V, pp. 2079-83. Waggoner, The Hills of Faraway 001.

London: Victor Gollancz Ltd, 1968. Octavo, boards. First edition. "Eight threatening, mysterious, subtle stories..." Barron (ed.): Horror Literature 4-8. Jones & Newman: Horror: 100 Best Books #64.

London: Victor Gollancz Ltd, 1979. Octavo, boards. First edition. Collection of fifteen stories of horror, mainly aimed at young readers. Barron (ed), Fantasy and Horror 6-11.

New York: Tor, 1993. Octavo, boards. First edition. Anderson speculates on the possibility of a future dominated by exponentially powerful artificial minds. "Anderson's last major enterprise was the Guthrie Family sequence –- comprising HARVEST OF STARS (1993), THE STARS ARE ALSO FIRE (1994), HARVEST THE FIRE (1995) and THE FLEET OF STARS (1997) –- which puts on display both his continued grasp of current dreams of technology fixes, and as well the oddly resentful sense of disenchantment not untypical of writers at the end of the last century. These drives govern a tale in which Earth after centuries of savage environmental exploitation (though Anderson explicitly blames environmentalists for this) –- is no longer capable of sustaining humanity's quest for new adventures, and for a new home. The escape from the dying planet is sustained and exhilarating. Through the four volumes, the scale and complexity expands inexorably; there is no quick way to represent the final effect, except perhaps to suggest that Anderson had decided here to tell every kind of story he was capable of – fantasy, hard SF and entertainment routines intermix constantly -– as a summary and summa of his long career. On the evidence of this sequence, it is clear that for half a century he knew what he was doing." - John Clute, SFE (online).

London: T. Fisher Unwin, 1887. Octavo, [1-4] [1] 2-287 [288: blank], + 32-page publisher's catalogue dated "1886-7" inserted at rear, original black cloth, front panel stamped in red, spine stamped in gold and red, rear panel stamped in red. First edition. The binding is the preferred state with the publisher's monogram in red on the rear cover. The book is found with and without publisher's catalogues inserted at rear; this copy has the earliest form of the catalogue, dated 1886-7 on page [1]. The author's anonymously published second book and first novel. A Utopian novel of a matriarchal pastoral society. "A pioneering and affectively powerful work of ecological mysticism..." - Barron (ed.): Fantasy Literature 2-87. Hudson's "fine quasi-utopian novel of the far future... depicts small, self- sufficient, matriarchally organized households living in harmony with Nature. The protagonist, tragically, cannot adapt to their pastoral way of life...Both stories [A CRYSTAL AGE and GREEN MANSIONS (1904)] are remarkable anticipations of modern ecological mysticism." - Clute and Nicholls (eds), The Encyclopedia of Science Fiction, p. 593. Anatomy of Wonder (1995) 1-51, Negley: Utopian Literature: A Bibliography #596, Sargent: British and American Utopian Literature pp. 38.

New York: E. P. Dutton and Company, Inc., [1931]. Octavo, cloth. First edition. Collects the following titles in one volume: Vice Versa, The Tinted Venus, A Fallen Idol, The Talking Horse, Salted Almonds and The Brass Bottle. In these collected volumes, some of which are story collections, there are stories of fantasy and horror, The Tinted Venus concerns a Greek statue that comes to life.

New York: Doubleday & Company, Inc., 1978. Octavo, cloth backed boards. First edition. One hundred very short stories, most 2-5 pages, longest 6 pages. Isaac Asimov, Roger Zelazny, Jane Yolen, Clark Ashton Smith, Avram Davidson, H.P. Lovecraft, James Sallis, Katherine Maclean, and many others.

Norfolk, Virginia Beach: Starblaze Editions, Donning, 1980. Octavo, illustrations by Phil Foglio, pictorial wrappers. First edition. Trade paperback format. Amusing fantasy story, the third entry in the series. Barron (ed), Fantasy Literature 4A-13.

London and New York: Macmillan and Co., 1891. Octavo, pp. [1-2] [i-v] vi-viii [ix-x] [1] 2-244 + 44-page publisher's catalogue dated "September, 1891" on page 1, original green cloth, front panel stamped in gold and blind, spine panel stamped in gold, rear panel stamped in blind. First edition. A collection of local folktales and legends written for young readers by John Christopher Atkinson (1814–1900), a rural Yorkshire priest and antiquary. Includes an interesting preface, pp. [v]-viii, on the historical background for the tales. "Atkinson was an ideal antiquary, endowed with a love of nature as well as a taste for study. His parish was in the rudest part of Yorkshire, and on his arrival he found that clerical duties had been almost neglected. He set himself to learn the history of his parish cure and to gain the friendship of his parishioners, and in both objects he succeeded. By constant intercourse with the people he acquired a unique knowledge of local legends and customs. ... By far his best known work ... was the charming collection of local legends and traditions which he published in 1891, with the title 'Forty Years in a Moorland Parish.' This work ... has been compared to Gilbert White's 'Natural History of Selborne,' and perhaps still more closely resembles Hugh Miller's 'Scenes and Legends of the North of Scotland.' Besides these more serious compilations Atkinson was the author of several delightful books for children" (DNB).