Results
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1951. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Isaac Asimov (a Susan Calvin robot story), Robert Moore Willilams, Kendell Foster Crossen, and others. Lead story by E. K. Jarvis is a house pseudonym, here author unknown. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Includes fiction by P. F. Costello (house pseudonym, here author unknown), Fredric Brown, Franklin Gregory, Robert Moore Williams and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1952. Octavo, single issue, cover by Walter Popp, pictorial wrappers. Pulp magazine. Fiction by Robert Moore Williams, Rog Phillips, Milton Rothman writing as "Lee Gregor," and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1952. Octavo, single issue, cover by Leo Summers, pictorial wrappers. Pulp magazine. Fiction by Rog Phillips and Rog Phillips writing as "Robert Arnette," and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Includes fiction by William P. McGivern, Rog Phillips writing as "Peter Worth," Paul W. Fairman, Robert Moore Williams writing as "Russell Storm," and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1951. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Robert Moore Willliams, Kendall Foster Crossen (this or Crossen's story in the Feb. 51 issue of Thrilling Wonder is is first published SF material), Milton Lesser, and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1952. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine. Fiction by Don Wilcox, Rog Phillips, John Jakes and others. Robot cover. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1952. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine. Robot cover. Fiction by Don Wilcox, Rog Phillips, John Jakes and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1953. Octavo, single issue, cover by Robert Frank, pictorial wrappers. Pulp magazine. Fiction by Chester S. Geier and Chester Geier writing as "Guy Archette," Rog Phillips writing as "Franklin Bahl," and others [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Arnold Kohn, pictorial wrappers. Pulp magazine. Includes fiction by Richard S. Shaver, Rog Phillips writing as "Craig Browning," Chester S. Geier writing as "Guy Archette," and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1951. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Rog Phillips writing as "Robert Arnette," H. Beam Piper, Paul W. Fairman writing as E. K. Jarvis, Charles Beaumont, Frances Deegan, Mack Reynolds, Walter M. Miller, Jr., and others. The Beaumont story is his first published story and the Miller story is his first published SF story. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1952. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine. Fiction by Milton Lesser, William P. McGivern, Don Wilcox and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1951. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Rog Phillips and Rog Phillips writing as "Peter Worth," Gerald Vance (house pseudonym, here author unknown), P. F. Costello (house pseudonym, here author unknown), and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1952. Octavo, single issue, cover by Walter Popp, pictorial wrappers. Pulp magazine. Fiction by Milton Lesser, Ross Rocklynne, Don Wilcox and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1952. Octavo, single issue, cover by Barye Phillips, pictorial wrappers. Pulp magazine. Fiction by Don Wilcox, Paul W. Fairman, and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1953. Octavo, single issue, cover by Harry Levey, pictorial wrappers. Pulp magazine. The final pulp issue, switching to digest format with the next issue. Fiction by Paul Fairman writing as "Robert Eggert Lee," Rog Phillips, Evan Hunter writing as "D. A. Adams," and others [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Arnold Kohn, pictorial wrappers. Pulp magazine. Includes fiction by Robert Bloch, Rog Phillips writing as "William Carter Sawtelle," Rog Phillips, Robert Bloch writing as "E. K. Jarvis," Gerald Vance (house pseudonym), Mack Reynolds, Paul Lohrman (pseudonym) and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Milton Lesser, Milton Lesser writing as "S. M. Tenneshaw," Robert Moore Williams, Gerald Vance (house pseudonym), Mack Reynolds, Richard S. Shaver writing as "Alexander Blade," and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Milton Lesser, Milton Lesser writing as "S. M. Tenneshaw," Robert Moore Williams, Gerald Vance (house pseudonym), Mack Reynolds, Richard S. Shaver writing as "Alexander Blade," and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Rog Phillips, Clifford D. Simak, Fredric Brown, and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1951. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Fiction by Milton Lesser, Rog Phillips writing as "Gerald Vance," John Jakes, and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
AMAZING STORIES.
Chicago: Ziff-Davis Publishing Company, 1950. Octavo, single issue, cover by Robert Gibson Jones, pictorial wrappers. Pulp magazine. Includes fiction by E. K. Jarvis (house pseudonym, here author unknown), Mack Reynolds writing as "Dallas Ross," P. F. Costello (house pseudonym, here author unknown), Robert Moore Williams, John Wyndham, and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].
HALO FOR SATAN.
Indianapolis, New York: The Bobbs-Merrill Company, [1948]. Octavo, cloth. First edition. Inscribed and signed by Browne on the front free end paper, signed again on the title page. The third Paul Pine novel. "...feature[s] Chicago private detective Paul Pine, one of the best of the plethora of tough-guy heroes from that era. Although the Pine novels are solidly in the tradition of Raymond Chandler, they have a complexity and character all their own and are too well crafted to be imitations." - Pronzini and Muller: 1001 Midnights: The Aficionado's Guide to Mystery and Detective Fiction, p. 96-97. [Reference: Hubin, p. 270].
HALO IN BRASS.
Indianapolis, New York: The Bobbs-Merrill Company, [1949]. Octavo, cloth. First edition. Inscribed and signed by Browne (signed as Howard "John Evan" Browne) on the front free end paper. The fourth Paul Pine novel. "...feature[s] Chicago private detective Paul Pine, one of the best of the plethora of tough-guy heroes from that era. Although the Pine novels are solidly in the tradition of Raynond Chandler, they have a complexity and character all their own and are too well crafted to be imitations." - Pronzini and Muller: 1001 Midnights: The Aficionado's Guide to Mystery and Detective Fiction, pp. 96-97. [Reference: Hubin, p. 270].
HALO IN BRASS.
Indianapolis, New York: The Bobbs-Merrill Company, [1949]. Octavo, cloth. First edition. Inscribed and signed by Browne (signed as Howard "John Evan" Browne) on the front free end paper. The fourth Paul Pine novel. "...feature[s] Chicago private detective Paul Pine, one of the best of the plethora of tough-guy heroes from that era. Although the Pine novels are solidly in the tradition of Raynond Chandler, they have a complexity and character all their own and are too well crafted to be imitations." - Pronzini and Muller: 1001 Midnights: The Aficionado's Guide to Mystery and Detective Fiction, pp. 96-97. [Reference: Hubin, p. 270].