Jamaica, New York: Radio-Science Publications, Inc., 1931. Octavo, single issue, cover by Morey, pictorial wrappers. Pulp magazine, bedsheet format. Includes "The Birth of A New Republic," by Jack Williamson and Miles J. Breuer in which a moon colony revolts against the local mining corporation. See Bleiler, Science Fiction, The Gernsback Years, 129. [Reference: Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 51-57].

New York: Experimenter Publishing Company, 1926. Large octavo, single issue, cover by Frank R. Paul, pictorial wrappers. Pulp magazine, bedsheet format. Includes part 1 of "Station X" by George Winsor, "The Eggs From Lake Tanganyika" by Curt Siodmak (which is the cover illustration), other fiction by H. G. Wells, Garrett Serviss, Edgar Allan Poe, Jules Verne and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].

Jamaica, NY: Experimenter Publications, Inc., 1929. Large octavo, single issue, cover by Hugh Mackay, pictorial wrappers. Pulp magazine, bedsheet format. Includes a Jules Verne reprint, conclusion. Other fiction by David H. Keller, Irvin Lester and Fletcher Pratt, and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 14-49].

Sauk City, Wisconsin: Arkham House, 1948-1949 (volume 1, number 1-volume 2, number 4). Octavo, printed wrappers. First edition. All published. A short lived, but important periodical. In addition to printing first appearances of fiction by Ray Bradbury, H. P. Lovecraft, Clark Ashton Smith, Robert Bloch, Theodore Sturgeon, A. E. van Vogt and many others, the magazine published essays, criticism, memoirs and book reviews. One issue was devoted to science fiction. The final issue included an index. All issues were limited to 1200 copies except the "All Science-Fiction Issue" that had a 2000-copy print run. [Reference: Parnell, Monthly Terrors, pp. 14-15 (listing contents). Tymn and Ashley, eds., Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 112-114].

New York: Publishers' Fiscal Corporation, 1930. Octavo, cover painting by Wesso[lowski], pictorial wrappers. Pulp magazine. Stories by Victor Rousseau, Ray Cummings, L.A. Eshbach and others. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 60-103].

New York: Galaxy Publishing Corporation, 1953-1955. Small octavo, ten issues, pictorial wrappers. Digest magazine. This was to be a companion to Galaxy Science Fiction, in the tradition of Unknown. Author's include Damon Knight, Frank Robinson, Richard Matheson, Robert Bloch, Philip K. Dick, Isaac Asimov, John Wyndham, Algis Budrys, Zenna Henderson, Jerome Bixby, Philip Jose Farmer, Fredric Brown, and others. It could not duplicate the audience of Campbell's Unknown which failed due to WWII paper shortages. This magazine's content was not broad based fantasy fiction, while it did publish quality fiction, it stayed away from traditional fantasy and popular sword and sorcery. It also got lost in the SF digest magazine boom. The covers of the first two issues are by Richard Powers. [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 137-142].

Bowling Green, OH: Bowling Green University Popular Press, 1980-1983. Octavo, 8 issues, printed wrappers. The first eight numbers of this scholarly journal devoted to mystery and detective fiction. The first number includes a large section devoted to John D. MacDonald, focused on paper presented at conference on MacDonald at the University of South Florida. There is also introduction and comments by MacDonald. The issues devote articles to classic and modern authors and their characters. Books, pulps and media are covered.

Ilford, Essex: Walter H. Gillings, 1947-1950. Octavo, eighteen issues, pictorial self wrappers, stapled. A complete file of the eighteen issues published prior to incorporation as supplements in Gillings' professional magazine SCIENCE-FANTASY. "FANTASY REVIEW" was the title Gillings gave to his postwar revival of SCIENTIFICTION. Professionally printed as a neat twenty-page booklet (later growing to thirty-two and even forty pages), it was edited with Gillings' usual polish. Gillings also wrote most of the contents, often under such pen names as Thomas Sheridan and Geoffrey Giles, and the magazine contains an immense amount of news of all kinds, as well as intelligent reviews and criticism. FR was certainly the most mature news magazine British fandom had produced, and it is still one of the most elaborate of its kind." - Tymn and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 824-25. [Reference: Pavlat and Evans, Fanzine Index (1965), p. 40 and p. 96].

Kokomo, IN: Fictioneers, Inc., 1950. Octavo, single issue, cover by Lawrence, pictorial wrappers. Pulp magazine. Includes John D. MacDonald with two stories, the second as by Peter Reed. [Reference: Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 631-635].

London: Todd Publishing Group, Ltd., 1954. Small octavo, pictorial wrappers. Digest sized magazine. The final issue. Well regarded mystery magazine which featured largely reprints featuring top-notch writers. The first few U.S. issues were U. K. issues with over printed U. S. prices, but that changed from April 1953 onwards (with printed printed price of .35). At that point the U.S. volume numbers did not match the date/volume numbers of the U.K. editions. This issue includes Sydney Horler, Margery Allingham, Peter Cheyney, and others. [Reference: See Cook, Mystery, Detective and Espionage Magazines, pp. 310-311].

Holyoke, MA: Columbia Publications, Inc., 1957. Octavo, single issue, cover by Emshwiller, pictorial wrappers. Pulp magazine. Includes "Midadjustment" by Philip K. Dick. SFQ is also notable as it became the last published SF pulp magazine, the last issue in 1958. [Reference: Tymn and Ashley (eds), Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 545-550].

New York: Love Romances, 1950. Octavo, single issue, pictorial wrappers. Pulp magazine. Includes "Death-Wish" by Ray Bradbury. Unabashedly the magazine was a proponent of "space-opera." In Leigh Brackett's introduction in the anthology THE BEST OF PLANET STORIES (1974) she states "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history." [Reference: Tymm and Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines, pp. 476-481].