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THE DRAGON WHO ATE HIS TAIL.
[Colorado Springs, CO: Gauntlet Publications, 2006]. Octavo, stiff pictorial wrappers. First edition. Chapbook. Collects the title story plus "To the Future," "Sometimes Before Dawn," fragments and unproduced pages from a screenplay, "The Fox in the Forest."
FRAGMENTS.
[Colorado Springs, CO: Gauntlet Publications, 2005]. Octavo, stiff pictorial wrappers. First edition. A chapbook with nine pages of text.
SOMEWHERE A BAND IS PLAYING.
[Colorado Springs, CO]: Gauntlet Publications, 2007. Octavo, boards. First edition. One of 500 numbered copies signed by Bradbury. Introduction by William F. Nolan. This features the title novella which Bradbury had started 50 years prior. It also includes the genesis and various permutations, as well as a teleplay outline and an unfinished screenplay. "Set in paradisiacal Summerton, Ariz., a small town not on any map where endless sunflowers blossom in front yards and every meal is like the ""feasting of summer gods,"" this Bradbury novella tackles some weighty themes, namely the struggle to fully appreciate the human experience, grow old gracefully and embrace mortality." - Publisher's Weekly review, 30 July 2007.
SOMEWHERE A BAND IS PLAYING.
[Colorado Springs, CO]: Gauntlet Publications, 2007. Octavo, boards. First edition. One of 52 lettered copies signed by Bradbury and introducer William F. Nolan, this is copy "P". Introduction by William F. Nolan. This features the title novella which Bradbury had started 50 years prior. It also includes the genesis and various permutations, as well as a teleplay outline and an unfinished screenplay. "Set in paradisiacal Summerton, Ariz., a small town not on any map where endless sunflowers blossom in front yards and every meal is like the ""feasting of summer gods,"" this Bradbury novella tackles some weighty themes, namely the struggle to fully appreciate the human experience, grow old gracefully and embrace mortality." - Publisher's Weekly review, 30 July 2007.
BULLET TRICK.
[Colorado Springs, CO]: Gauntlet Publications, 2009. Octavo, boards. First edition. One of 500 numbered copies signed by Bradbury. This is copy number 31. Collects unpublished teleplays as well as two short stories adapted by Bradbury for Rod Serling's The Twilight Zone but never used.
DARK CARNIVAL.
Springfield, PA: Gauntlet Publications, 2001. Octavo, cover painting by Ray Bradbury, imitation leather. Limited and expanded edition. One of 700 numbered copies, signed by Bradbury and Clive Barker, author of the afterword. One of 700 numbered copies, signed by Bradbury and by Clive Barker (who writes the afterword). New edition, first limited, of Bradbury's first book. Edited by Donn Albright, nine page new introduction by Bradbury. This edition also includes four stories, contemporary to the rest of the contents but not in the original edition, archival material and an afterword by Clive Barker. Wrap around dust jacket is an original painting by Bradbury. Includes "Time Intervening" by Ray Bradbury, a numbered chapbook and a CD of interviews conducted by Donn Albright, both accompanied some but not all copies. [Reference: Barron (ed), Horror Literature 3-34. Bleiler, The Guide to Supernatural Fiction #254. Tymn (ed), Horror Literature 4-42].
THE HALLOWEEN TREE.
[Colorado Springs, CO]: Gauntlet Publications, 2005. Octavo, illustrated by Joe Mugnaini and Ray Bradbury, boards. New edition, substantially enlarged. One of 750 numbered copies signed by Bradbury. Preface and introduction by Jon Eller. This volume includes: in facsimile the first revised screenplay dated 1967 which preceded the novel, reprint of a conversation with Ray Bradbury and Chuck Jones, the novel in progress reproduced in facsimile from 1971, the novel-which is a reset version which contains all revisions made by Bradbury and his editors. However the original final version made many line cuts and the editors of this version have chosen not to include these unless they correct errors of content (see preface p. 10), galley changes for the 1972 first edition, notes to the text for the final submission, teleplay from 1992, a Bradbury interview from 2004, related correspondence in facsimile, and some other material. A comprehensive look at this work. While trick or treating, a group of boys travel through time to save a friend and learn the origins of Halloween.