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LA GUERRE DES MONDES [THE WAR OF THE WORLDS]. Traduit de l'Anglais par Henry-D. Davray. Edition Illustrée par Alvim-Corrêa.
Bruxelles: Édité par L. Vandamme & Co, 1906. Folio, pp. [1-6] 7-234 [235-244] [245: colophon] [246: blank], 32 plates with full-page illustrations (tipped in to the text pages) and 101 illustrations in the text (one full-page, the remainder smaller) by Henrique Alvim-Corrêa, title page printed in red and gold, decorated paper covers. First printing with these illustrations. One of 500 copies, signed in full by the artist, this copy not numbered. This first fully illustrated edition with a highly imaginative, atmospheric, spectacular visual interpretation of Wells's masterpiece. A quote attributed to Wells on the artwork was "Alvim Corrêa did more for my work with his brush than I did with my pen." The illustrations have a "steampunk" quality and are perhaps an influence to that movement. Henrique Alvim Corrêa (1876-1910), a Brazilian painter, illustrator and designer, moved to Europe at age 16 in 1892 shortly after the proclamation of the Republic of Brazil. Based in Belgium, he became known for his illustrations of science fiction, especially this edition of THE WAR OF THE WORLDS, his masterpiece. He also produced work on military subjects, particularly the Franco-Prussian War (1870-1871), as well as erotic art signed "Henri Lemort." Corrêa suffered from tuberculosis and died in 1910 at 34 years of age. The original artwork from this book remained in the hands of the family until 1990 when it was sold to a private collector, in May of 2015 most of the artwork was sold at auction. "The great classic of interplanetary invasion ..." - Bleiler, Science-Fiction: The Early Years 2331. "... a forceful, sophisticated novel that remains original, intense, and provocative today." - Survey of Science Fiction Literature V, pp. 2416-23. "... still the most remarkable fantasy of imaginary warfare that has so far appeared in the history of the genre." - Clarke, Voices Prophesying War: Future Wars 1763-3749, p. 86. THE WAR OF THE WORLDS "set the seal on Wells's success. The novel was immediately taken up in Britain and America, and translated into European languages. It has remained popular ever since, spawning many imitations, fathering all invasion-of-earth stories, yet transcending them in the grandeur of its concept." - Bleiler (ed), Science Fiction Writers, p. 27. Filmed twice, the first memorably by George Pal in 1953 and most recently by Stephen Spielberg in 2005.
THE PLATTNER STORY AND OTHERS.
London: Methuen & Co., 1897. Octavo, pp. [i-vi] vii [1] 2-301 [302: printer's imprint [303-304: blank] [note: last leaf is a blank; half title and title leaves are a conjugate pair and are inserted] + 40-page publisher's catalogue dated "March 1897" inserted at rear, original red cloth, front and spine panels stamped in gold, all edges untrimmed. First edition. One of Wells's more uncommon books, this collection includes many of his best SF and fantasy tales. Barron (ed), Fantasy Literature 2-154. Bleiler, The Guide to Supernatural Fiction 1676. Bleiler, Science-Fiction: The Early Years 2328. Locke, A Spectrum of Fantasy, p. 227. Suvin, Victorian Science Fiction in the UK, p. 70. Tymn (ed), Horror Literature 3-245. Bleiler (1978), p. 205. Reginald 15056. Currey, p. 522. Hammond C2. Wells 10. Wells Society 10.
THE PLATTNER STORY AND OTHERS.
London: Methuen & Co., 1897. Octavo, pp. [i-vi] vii [1] 2-301 [302: printer's imprint [303-304: blank] [note: last leaf is a blank; half title and title leaves are a conjugate pair and are inserted] + 40-page publisher's catalogue dated "March 1897" inserted at rear, original red cloth, front and spine panels stamped in gold, all edges untrimmed. First edition. One of Wells's more uncommon books, this collection includes many of his best SF and fantasy tales. Barron (ed), Fantasy Literature 2-154. Bleiler, The Guide to Supernatural Fiction 1676. Bleiler, Science-Fiction: The Early Years 2328. Locke, A Spectrum of Fantasy, p. 227. Suvin, Victorian Science Fiction in the UK, p. 70. Tymn (ed), Horror Literature 3-245. Bleiler (1978), p. 205. Reginald 15056. Currey, p. 522. Hammond C2. Wells 10. Wells Society 10.
THE STOLEN BACILLUS AND OTHER INCIDENTS ...
London: Methuen & Co., 1895. Octavo, pp. [1-12] [1] 2-275 [276: printer's imprint] [note: first leaf is a blank] + 32-page publisher's catalogue dated "September 1895" inserted at rear, original decorated blue cloth, front and spine panels stamped in gold, all edges untrimmed. First edition. Wells' first published collection of fantasy and SF stories, all written and printed in magazines between 1893 and 1895. Some of the tales "possess, on a smaller scale, something of the imaginative distinction which had marked THE TIME MACHINE." - Bergonzi, The Early H. G. Wells, p. 63. Bleiler, The Guide to Supernatural Fiction 1674. Bleiler, Science-Fiction: The Early Years 2326. Locke, A Spectrum of Fantasy Volume II, p. 115. Suvin, Victorian Science Fiction in the UK, p. 62. Tymn (ed), Horror Literature 3-246. Bleiler (1978), p. 205. Reginald 15074. Currey, p. 523. Wells 6. Wells Society 6. Hammond C1.
THE STOLEN BACILLUS AND OTHER INCIDENTS.
London: Methuen & Co., 1895. Octavo, pp. [1-12] [1] 2-275 [276: printer's imprint] [note: first leaf is a blank], original decorated blue cloth, front and spine panels stamped in gold, all edges untrimmed. First edition. Variant with no publisher's catalogue inserted at rear. Wells' first published collection of fantasy and SF stories, all written and printed in magazines between 1893 and 1895. Some of the tales "possess, on a smaller scale, something of the imaginative distinction which had marked THE TIME MACHINE." - Bergonzi, The Early H. G. Wells, p. 63. Bleiler, The Guide to Supernatural Fiction 1674. Bleiler, Science-Fiction: The Early Years 2326. Locke, A Spectrum of Fantasy Volume II, p. 115. Suvin, Victorian Science Fiction in the UK, p. 62. Tymn (ed), Horror Literature 3-246. Bleiler (1978), p. 205. Reginald 15074. Currey, p. 523. Wells 6. Wells Society 6. Hammond C1.
THE TIME MACHINE: AN INVENTION ...
London: William Heinemann, 1895. Small octavo, pp. [1-8] 1-151 [152], original decorated tan cloth, front and rear panels stamped in purple, spine panel stamped in light blue; binding measures 18.2 cm vertically; "HEINEMANN" at base of spine set in 12-point type; top edge uncut, fore and bottom edges rough trimmed. First British edition, second cloth binding, no inserted publisher's catalogue. Signed by Wells on the half title page. The author's first SF novel. "Many rank it as Wells's best book, certainly its qualities are striking and direct ... All time-travel stories since owe a debt to Wells, none has become so acclaimed." - Bleiler (ed), Science Fiction Writers, p. 26. "THE TIME MACHINE might be considered the first work of modern science-fiction, and it is still the classic statement of an important subgenre ... A remarkable work, and necessary reading." - Bleiler, Science-Fiction: The Early Years 2325. Anatomy of Wonder (1976) 2-161; (1981) 1-171; (1987) 1-103; (1995) 1-103; and (2004) II-1232. Clareson, Science Fiction in America, 1870s-1930s 800. Clarke, Tale of the Future (1978), p. 21. Lewis, Utopian Literature, p. 207. Locke, A Spectrum of Fantasy, p. 227. Negley, Utopian Literature: A Bibliography 1175. Sargent, British and American Utopian Literature, 1516-1985, p. 107. Survey of Science Fiction Literature V, pp. 2287-92. Suvin, Victorian Science Fiction in the UK, pp. 62-3. Bleiler (1978), p. 205. Reginald 15085. Currey (2002), p. 424 (binding C). Hammond B1. Wells 4.
THE TIME MACHINE: AN INVENTION ...
London: William Heinemann, 1895. Small octavo, pp. [1-8] 1-151 [152] + [16]-page publisher's catalogue with first page headed "THE MANXMAN" inserted at rear, original decorated tan buckram, front and spine panels stamped in purple, publisher's monogram stamped in purple on rear panel, top and fore edges untrimmed, bottom edge rough trimmed. First British edition, first binding, earliest form of inserted publisher's catalogue. The author's first SF novel. "Many rank it as Wells's best book, certainly its qualities are striking and direct ... All time-travel stories since owe a debt to Wells, none has become so acclaimed." - Bleiler (ed), Science Fiction Writers, p. 26. "THE TIME MACHINE might be considered the first work of modern science-fiction, and it is still the classic statement of an important subgenre ... A remarkable work, and necessary reading." - Bleiler, Science-Fiction: The Early Years 2325. The Heinemann edition is preceded by the U.S. Holt edition, which has a different text, presumably from an earlier version of the story, this edition is considered the better text. Anatomy of Wonder (1976) 2-161; (1981) 1-171; (1987) 1-103; (1995) 1-103; and (2004) II-1232. Clareson, Science Fiction in America, 1870s-1930s 800. Clarke, Tale of the Future (1978), p. 21. Lewis, Utopian Literature, p. 207. Locke, A Spectrum of Fantasy, p. 227. Negley, Utopian Literature: A Bibliography 1175. Sargent, British and American Utopian Literature, 1516-1985, p. 107. Survey of Science Fiction Literature V, pp. 2287-92. Suvin, Victorian Science Fiction in the UK, pp. 62-3. Bleiler (1978), p. 205. Reginald 15085. Currey, p. 525 (binding B, catalogue 1). Hammond B1. Wells 4. Wolff 7107.
THE TIME MACHINE: AN INVENTION ...
London: William Heinemann, 1895. Small octavo, pp. [1-8] 1-151 [152], original decorated tan cloth, front and rear panels stamped in purple, spine panel stamped in light blue; binding measures 18.2 cm vertically; "HEINEMANN" at base of spine set in 12-point type; top and bottom edges rough trimmed, fore edge untrimmed. First British edition, second cloth binding, no inserted publisher's catalogue. The author's first SF novel. "Many rank it as Wells's best book, certainly its qualities are striking and direct ... All time-travel stories since owe a debt to Wells, none has become so acclaimed." - Bleiler (ed), Science Fiction Writers, p. 26. "THE TIME MACHINE might be considered the first work of modern science-fiction, and it is still the classic statement of an important subgenre ... A remarkable work, and necessary reading." - Bleiler, Science-Fiction: The Early Years 2325. The Heinemann edition is preceded by the U.S. Holt edition, which has a different text, presumably from an earlier version of the story, this edition is considered the better text. Anatomy of Wonder (1976) 2-161; (1981) 1-171; (1987) 1-103; (1995) 1-103; and (2004) II-1232. Clareson, Science Fiction in America, 1870s-1930s 800. Clarke, Tale of the Future (1978), p. 21. Lewis, Utopian Literature, p. 207. Locke, A Spectrum of Fantasy, p. 227. Negley, Utopian Literature: A Bibliography 1175. Sargent, British and American Utopian Literature, 1516-1985, p. 107. Survey of Science Fiction Literature V, pp. 2287-92. Suvin, Victorian Science Fiction in the UK, pp. 62-3. Bleiler (1978), p. 205. Reginald 15085. Currey, p. 525 (binding B). Hammond B1. Wells 4. Wolff 7107.
THE TIME MACHINE: AN INVENTION ...
London: William Heinemann, 1895. Small octavo, pp. [1-8] 1-151 [152] + [16]-page publisher's catalogue with first page headed "THE MANXMAN" inserted at rear, original decorated tan buckram, front and spine panels stamped in purple, publisher's monogram stamped in purple on rear panel, top and fore edges untrimmed, bottom edge rough trimmed. First British edition, first binding, earliest form of inserted publisher's catalogue. Laid in is a card with a short note written and signed by Wells in his hand to MacKenzie Bell, literary editor, regarding George Gissing, a good friend of Wells. friend of Wells. The author's first SF novel. "Many rank it as Wells's best book, certainly its qualities are striking and direct ... All time-travel stories since owe a debt to Wells, none has become so acclaimed." - Bleiler (ed), Science Fiction Writers, p. 26. "THE TIME MACHINE might be considered the first work of modern science-fiction, and it is still the classic statement of an important subgenre ... A remarkable work, and necessary reading." - Bleiler, Science-Fiction: The Early Years 2325. The Heinemann edition is preceded by the U.S. Holt edition, which has a different text, presumably from an earlier version of the story, this edition is considered the better text. Anatomy of Wonder (1976) 2-161; (1981) 1-171; (1987) 1-103; (1995) 1-103; and (2004) II-1232. Clareson, Science Fiction in America, 1870s-1930s 800. Clarke, Tale of the Future (1978), p. 21. Lewis, Utopian Literature, p. 207. Locke, A Spectrum of Fantasy, p. 227. Negley, Utopian Literature: A Bibliography 1175. Sargent, British and American Utopian Literature, 1516-1985, p. 107. Survey of Science Fiction Literature V, pp. 2287-92. Suvin, Victorian Science Fiction in the UK, pp. 62-3. Bleiler (1978), p. 205. Reginald 15085. Currey, p. 525 (binding B, catalogue 1). Hammond B1. Wells 4. Wolff 7107. Mild foxing to end papers, mild darkening to spine, a clean nearly fine to fine copy. Now housed in a custom clamshell box.
THE TIME MACHINE: AN INVENTION.
New York: Henry Holt and Company, 1895. Small octavo, inserted frontispiece (with tissue guard) with illustration by W. B. Russell, original decorated tan buckram, front and spine panels stamped in purple, t.e.g., other edges untrimmed. First edition, first printing with author's name incorrectly printed as "H. S. WELLS" on recto of title leaf. The earliest draft of THE TIME MACHINE was serialized in THE SCIENCE SCHOOLS JOURNAL in 1888 as "The Chronic Argonauts." After two subsequent drafts (which are lost), Wells rewrote the story as a series of loosely connected articles for THE NATIONAL OBSERVER. Seven of these appeared between March and June 1894, but the series was discontinued when W. E. Henley gave up the editorship of the magazine. Henley took over the editorship of THE NEW REVIEW and arranged for a much revised version of the novel to be serialized there: it appeared in five installments from January to May 1895. At the end of May THE TIME MACHINE was published as a book by Henry Holt in New York and William Heinemann in London. The text of the Heinemann edition is largely, though not entirely, the same as that serialized in THE NEW REVIEW, while the text of Holt edition (which preceded the Heinemann edition) contains a number of significant variations from both THE NEW REVIEW and Heinemann versions. See Bergonzi, "The Publication of The Time Machine, 1894-1895," Clareson, ed., SF: The Other Side of Realism (1971), pp. 204-15. The author's first SF novel. "Many rank it as Wells's best book, certainly its qualities are striking and direct ... All time-travel stories since owe a debt to Wells, none has become so acclaimed." - Bleiler (ed), Science Fiction Writers, p. 26. "THE TIME MACHINE might be considered the first work of modern science-fiction, and it is still the classic statement of an important subgenre ... A remarkable work, and necessary reading." - Bleiler, Science-Fiction: The Early Years 2325. Filmed twice, first in 1960 and again in 2002. Anatomy of Wonder (1976) 2-161; (1981) 1-171; (1987) 1-103; (1995) 1-103; and (2004) II-1232. Clareson, Science Fiction in America, 1870s-1930s 800. Clarke, Tale of the Future (1978), p. 21. Lewis, Utopian Literature, p. 207. Locke, A Spectrum of Fantasy, p. 227. Negley, Utopian Literature: A Bibliography 1175. Sargent, British and American Utopian Literature, 1516-1985, p. 107. Survey of Science Fiction Literature V, pp. 2287-92. Suvin, Victorian Science Fiction in the UK, pp. 62-3. Bleiler (1978), p. 205. Reginald 15085. Currey, p. 524 (printing A). Hammond B1 (note).
TWELVE STORIES AND A DREAM.
London: Macmillan and Co., Limited / New York: The Macmillan Company, 1903. Octavo, pp. [1-8] [1-2] 3-377 [378: blank] [379-384: ads] + 16-page publisher's catalogue dated "20.9.03" at base of page [16] inserted at rear, original decorated green cloth, front panel stamped in gold and blind, spine panel stamped in gold, t.e.g. First edition. A collection of thirteen science fiction and fantasy stories including "Filmer," one of Wells's finest stories, "The Valley of the Spiders," "The Inexperienced Ghost," "The New Accelerator," The Stolen Body," and "A Dream of Armageddon." Bleiler, The Guide to Supernatural Fiction 1680. Bleiler, Science-Fiction: The Early Years 2336. Clarke, Tale of the Future (1978), p. 29. Locke, A Spectrum of Fantasy, p. 227. Survey of Science Fiction Literature IV, pp. 1967-72. Tymn (ed), Horror Literature 3-248. Bleiler (1978), p. 205. Reginald 15097. Currey, p. 526. Hammond C5. Wells 23. Wells Society 23.
TWELVE STORIES AND A DREAM.
London: Macmillan and Co., Limited / New York: The Macmillan Company, 1903. Octavo, pp. [1-8] [1-2] 3-377 [378: blank] [379-384: ads] + 16-page publisher's catalogue dated "20.9.03" at base of page [16] inserted at rear, original decorated green cloth, front panel stamped in gold and blind, spine panel stamped in gold, t.e.g. First edition. A collection of thirteen science fiction and fantasy stories including "Filmer," one of Wells's finest stories, "The Valley of the Spiders," "The Inexperienced Ghost," "The New Accelerator," The Stolen Body," and "A Dream of Armageddon." Bleiler, The Guide to Supernatural Fiction 1680. Bleiler, Science-Fiction: The Early Years 2336. Clarke, Tale of the Future (1978), p. 29. Locke, A Spectrum of Fantasy, p. 227. Survey of Science Fiction Literature IV, pp. 1967-72. Tymn (ed), Horror Literature 3-248. Bleiler (1978), p. 205. Reginald 15097. Currey, p. 526. Hammond C5. Wells 23. Wells Society 23.
THE WAR IN THE AIR AND PARTICULARLY HOW MR. BERT SMALLWAYS FARED WHILE IT LASTED ...
London: George Bell and Sons, 1908. Octavo, pp. [i-iv] v [vi] vii [viii] [1] 2-389 [390: printer's imprint] [391-392: ads], sixteen inserted plates with illustrations by A. C. Michael, original blue cloth, front and spine panels stamped in gold. First edition, first binding with all lettering and decoration on front and spine panels in gold and "George Bell & Sons" at base of spine panel. THE WAR IN THE AIR "is a remarkable rarity in being a future war novel which uses the viewpoint of ordinary people and deals primarily with the effects of aerial warfare on those ordinary people ... the shape of Wells's argument brings him to a conclusion very different from that characteristic of the future war novels written before 1914: civilization is virtually obliterated, and the Scientific Age is brought to an end." - Stableford, Scientific Romance in Britain 1890-1950, p. 72. Kingsley Amis (New Maps of Hell) terms this novel the "most forceful" of Wells's scientific romances. Anatomy of Wonder (1976) 2-170; (1981) 1-178; (1987) 1-104; (1995) 104; and (2004) II-1233. Bleiler, Science-Fiction: The Early Years 2339. Clareson, Science Fiction in America, 1870s-1930s 801. Clarke, Tale of the Future (1978), p. 36. Clarke, Voices Prophesying War 1763-1984, p. 236. Gerber, Utopian Fantasy (1973), p. 145. Locke, A Spectrum of Fantasy, pp. 227-28. Negley, Utopian Literature: A Bibliography 1179. Survey of Science Fiction Literature V, pp. 2407-10. Bleiler (1978), p. 205. Reginald 15106. Currey (2002), p. 425 (binding A). Hammond B11. Wells 35. Wells Society 36.
WAR OF THE WORLDS.
London: William Heinemann, [1898]. Octavo, pp. [i-vii] viii [1] 2-303 [304: blank], original gray cloth, front cover and spine stamped in black. First edition. This book was issued with and without an inserted publisher's catalogue, this copy without. "The great classic of interplanetary invasion ..." - Bleiler, Science-Fiction: The Early Years 2331. "... a forceful, sophisticated novel that remains original, intense, and provocative today." - Survey of Science Fiction Literature V, pp. 2416-23. "... still the most remarkable fantasy of imaginary warfare that has so far appeared in the history of the genre." - Clarke, Voices Prophesying War: Future Wars 1763-3749, p. 86. THE WAR OF THE WORLDS "set the seal on Wells's success. The novel was immediately taken up in Britain and America, and translated into European languages. It has remained popular ever since, spawning many imitations, fathering all invasion-of-earth stories, yet transcending them in the grandeur of its concept." - Bleiler (ed), Science Fiction Writers, p. 27. Filmed twice, the first memorably by George Pal in 1953 and most recently by Stephen Spielberg in 2005. Anatomy of Wonder (1976) 2-164; (1981) 1-173; (1987) 1-105; (1995) 1-105; and (2004) II-1234. Clareson, Science Fiction in America, 1870s-1930s 802. Clarke, Tale of the Future (1978), p. 24. Locke, A Spectrum of Fantasy, p. 228. Locke, Voyages in Space 210. Suvin, Victorian Science Fiction in the UK, p. 75. In 333. Bleiler (1978), p. 205. Reginald 15108. Currey (2002), p. 426. Hammond B5. Wells 14. Wells Society 14.
WAR OF THE WORLDS.
London: William Heinemann, [1898]. Octavo, pp. [i-vii] viii [1] 2-303 [304: blank], + 16-page publisher's catalogue dated "Autumn mdcccxcvii" inserted at rear, original gray cloth, front cover and spine stamped in black. First edition. This book was issued with and without an inserted publisher's catalogue, this copy has the earliest version. An interesting copy with a note in Wells hand affixed to front paste down "To Isidore Ostrer / The Experiment in Descriptive / Economics / (with special reference to / Chapter the Ninth)." Affixed to the front free end paper is a picture of H. G. Wells with Wells signature clipped from the note underneath. Isidore Ostrer is known for running the Gaumont British film company and Baird Television before WW2, he also wrote a book on economics. Affixed to the verso of the front free end paper and the half title page are newspaper clippings from the Daily Herald, dated November 1, 1938 concerning the radio broadcast by Orson Welles and the panic associated with it. Affixed to the verso of the title page, dedication page and verso of the dedication page are newspaper clippings from The Daily Telegraph and Morning Post dated November 1, 1938 with another report on the radio broadcast. The rear free end papers and paste down contain additional newspaper clippings. "The great classic of interplanetary invasion ..." - Bleiler, Science-Fiction: The Early Years 2331. "... a forceful, sophisticated novel that remains original, intense, and provocative today." - Survey of Science Fiction Literature V, pp. 2416-23. "... still the most remarkable fantasy of imaginary warfare that has so far appeared in the history of the genre." - Clarke, Voices Prophesying War: Future Wars 1763-3749, p. 86. THE WAR OF THE WORLDS "set the seal on Wells's success. The novel was immediately taken up in Britain and America, and translated into European languages. It has remained popular ever since, spawning many imitations, fathering all invasion-of-earth stories, yet transcending them in the grandeur of its concept." - Bleiler (ed), Science Fiction Writers, p. 27. Filmed twice, the first memorably by George Pal in 1953 and most recently by Stephen Spielberg in 2005. Anatomy of Wonder (1976) 2-164; (1981) 1-173; (1987) 1-105; (1995) 1-105; and (2004) II-1234. Clareson, Science Fiction in America, 1870s-1930s 802. Clarke, Tale of the Future (1978), p. 24. Locke, A Spectrum of Fantasy, p. 228. Locke, Voyages in Space 210. Suvin, Victorian Science Fiction in the UK, p. 75. In 333. Bleiler (1978), p. 205. Reginald 15108. Currey (2002), p. 426. Hammond B5. Wells 14. Wells Society 14.
WHEN THE SLEEPER WAKES ...
London and New York: Harper & Brothers Publishers, 1899. Octavo, pp. [1-8] [1] 2-328 [329] [330-332: blank] [note final leaf is a blank], three inserted plates with illustrations by H. Lanos, original red cloth, front and spine panel stamped in gold. First edition. According to Wells, this novel depicts "our contemporary world in a state of highly inflamed distention." "Whatever actual future history may unfold, the shadow of Wells's frightening visions has lain dark over the most influential current science fiction for nearly a century ... its disturbing images recur again and again ... WE ... BRAVE NEW WORLD ... NINETEEN EIGHTY-FOUR, and in the whole tide of nightmare fiction that followed Hiroshima." - Survey of Science Fiction Literature V, pp. 2459-62. "... a vividly exciting story." - Bleiler (ed), Science Fiction Writers, p. 27. Anatomy of Wonder (1976) 2-165; (1981) 1-174; (1987) 1-106; (1995) 1-106; and (2004) II-1235. Bleiler, Science-Fiction: The Early Years 2332. Clareson, Science Fiction in America, 1870s-1930s 803. Clarke, Tale of the Future (1978), p. 25. Lewis, Utopian Literature, p. 202. Locke, A Spectrum of Fantasy, p. 228. Negley, Utopian Literature: A Bibliography 1176. Sargent, British and American Utopian Literature, 1516-1985, p. 120. Suvin, Victorian Science Fiction in the UK, p. 78. Bleiler (1978), p. 205. Reginald 15114. Currey (2002), p. 426 (binding A). Hammond B6. Wells 15. Wells Society 15.