Results
FIREBUG.
Evanston, IL: Regency Books, [1961]. Small octavo, pictorial wrappers. First edition. Paperback original. Ellison wrote the first part of this novel.
FIREBUG.
Evanston, IL: Regency Books, [1961]. Small octavo, pictorial wrappers. First edition. Regency Books RB#101. Paperback original. Signed by both Bloch and Ellision with a terrific inscription above the title by Robert Bloch-"Harlan wrote the / good part-the / first 1200 words! / Robert Bloch" signed again by Bloch under the title and signed by Ellison. A unique copy.
THE SAINT MYSTERY LIBRARY: LET HER KILL HERSELF by RUFUS KING.
New York: Saint Mystery Library Books, [1960]. Small octavo, pictorial wrappers. First edition. Saint Mystery Library No. 11. GAP 128. Mystery anthology, the feature story first appeared in The Saint mystery magazine. The Harlan Ellison story, "Find One Cuckaboo" -a private eye mystery first appears in this volume.
AGAIN, DANGEROUS VISIONS ...
Garden City: Doubleday & Company, Inc., 1972. Octavo, cloth. First edition. First printing with code "N7" on page 760. Major original anthology with forty-six fictions by Ursula K. Le Guin, Thomas M. Disch, Gene Wolfe, Kurt Vonnegut, and many others. A sequel to Ellison's classic DANGEROUS VISIONS (1967). Anatomy of Wonder (2004) II-1335.
MEDEA: HARLAN'S WORLD ...
Huntington Woods, Michigan: Phantasia Press, 1985. Octavo, cloth. First edition. One of 475 numbered copies with inserted limitation leaf signed by Ellison, the ten other contributors; Jack Williamson, Larry Niven, Frederik Pohl, Hal Clement, Thomas M. Disch, Frank Herbert, Poul Anderson, Kate Wilhelm, Theodore Sturgeon, and Robert Silverberg, and artist Kelly Freas. Anatomy of Wonder (1987) 4-651.
MEDEA: HARLAN'S WORLD.
Toronto, New York, London, Sydney, Auckland: Bantam Books, [1985]. Octavo, pictorial wrappers. First paperback edition. Collects fiction by Poul Anderson, Hal Clement, Thomas M. Disch, Ellison, and others. Trade paperback format. Anatomy of Wonder (1987) 4-651.
HARLAN ELLISON: UNREPENTANT HARLEQUIN.
San Bernardino, CA: The Borgo Press, 1977. Octavo, printed wrappers. First edition. Paperback original. Volume six of The Milford Series: Popular Writers of Today.
HARLAN ELLISON: UNREPENTANT HARLEQUIN.
San Bernardino, CA: The Borgo Press, 1977. Octavo, printed wrappers. First edition. Paperback original. Signed inscription by Ellison to a mystery publisher and bookseller. Volume six of The Milford Series: Popular Writers of Today.
THE GLASS TEAT: ESSAYS OF OPINION ON THE SUBJECT OF TELEVISION.
Manchester: Savoy Books, [1978]. Octavo, pictorial wrappers. First British edition. Trade paperback format. A collection of TV columns first published in the Los Angeles Free Press. Uses the contents of the 1975 Pyramid edition which included the new introduction "The Glass Teat Revisited."
ALL THE LIES THAT ARE MY LIFE ...
San Francisco, California, Columbia, Pennsylvania: Underwood / Miller, 1980. Octavo, cloth. First edition. Of the 220 specially bound copies signed by Ellison comprising the limited edition, this is one of 200 numbered copies.
ALL THE LIES THAT ARE MY LIFE.
San Francisco, California, Columbia, Pennsylvania: Underwood/Miller, 1980. Octavo, cloth. First edition. Limited to 620 copies of which this is one of 400 unsigned trade copies. Expansion of a novella which first appeared in The Magazine of Fantasy and Science Fiction (1980), a story about two writers who grew up together. Introduction by Robert Silverberg. Afterwords by Norman Spinrad, Vonda M. McIntyre, Robert Sheckley, Philip Jose Farmer, Thomas M. Disch and Edward Bryant.
ANGRY CANDY.
Boston: Houghton Mifflin Company, 1988. Octavo, cloth backed boards. First trade edition. Collects seventeen stories. Preceded by an Easton Press signed edition. Includes "Paladin of the Lost Hour," Hugo Award winner for best novelette, 1974. This same story's teleplay won Ellison a Writer's Guild of America Award (for the Twilight Zone episode in 1987). Also includes "Soft Monkey" an Edgar Award winning short story, 1988. This volume also won the World Fantasy Award for best collection. Anatomy of Wonder (2004) II-374.
ANGRY CANDY.
Boston: Houghton Mifflin Company, 1988. Octavo, cloth backed boards. First edition. Collects seventeen stories. Preceded by an Easton Press signed edition. Includes "Paladin of the Lost Hour," Hugo Award winner for best novelette, 1986. This same story's teleplay won Ellison a Writer's Guild of America Award (for the Twilight Zone episode in 1987). The book is the 1988 winner of the World Fantasy Award for best collection. Anatomy of Wonder (2004) II-374.
ANGRY CANDY.
Boston: Houghton Mifflin Company, 1988. Octavo, cloth backed boards. First trade edition. Signed on the title page by Ellison. Collects seventeen stories. Preceded by an Easton Press signed edition. Includes "Paladin of the Lost Hour," Hugo Award winner for best novelette, 1986. This same story's teleplay won Ellison a Writer's Guild of America Award (for the Twilight Zone episode in 1987). The book is the 1988 winner of the World Fantasy Award for best collection. Anatomy of Wonder (2004) II-374.
ANGRY CANDY.
Boston: Houghton Mifflin Company, 1988. Octavo, cloth-backed boards. First trade edition. The Easton Press signed edition preceded by a week. Collects seventeen stories. Anatomy of Wonder (2004) II-374.
ANGRY CANDY.
Norwalk, Connecticut: The Easton Press, 1988. Octavo, full decorated leather. First edition. Limited edition (quantity not stated) bound in full green leather with inserted leaf signed by Ellison. The Easton Press signed edition preceded the Houghton Mifflin trade edition by a week. Collects seventeen stories. Anatomy of Wonder (2004) II-374.
APPROACHING OBLIVION: ROAD SIGNS ON THE TREADMILL TOWARD TOMORROW.
[London]: Millington, [1976]. Octavo, boards. First British edition. Signed on the title page by Ellison. Collects eleven stories. Foreword by Michael Crichton. "Typically top-of-the-voice tales-some sf, some fantasy-by one of the fields leading performers." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 17. "[Ellison's stories] are terrifying and vicious, immersive and gut-wrenching, and span from baroque far future speculations to near future warnings. Above all, they are well-written and intelligent. Many are infused with (pseudo) autobiographical content and lament the societal ills that Ellison sees as most pervasive and dangerous and most of the time he believes it’s futile to do anything about it." - book review by Joachim Boaz, August, 2013 at Science Fiction and Other Suspect Ruminations (blog).
THE BEAST THAT SHOUTED LOVE AT THE HEART OF THE WORLD.
New York: Avon, [1969]. Octavo, boards. First hardcover edition. First printing with code "05 L" on page 243. Issued by the Science Fiction Book Club. Signed by Ellison on the title page. This edition prints the authorized text restoring editorial changes made to the text of the 1969 Avon paperback. A collection of fifteen stories including the Hugo Award winning title story. It also includes "A Boy and His Dog," made into a feature film. Anatomy of Wonder (1981) 3-302.
THE BOOK OF ELLISON ... Edited by Andrew Porter.
[New York]: Algol Press, [1978]. Octavo, pictorial wrappers. First edition, trade paperback issue. Signed by Ellison on the title page. Material by and about Ellison, edited by Andrew Porter. Includes fiction and nonfiction by Ellison, including an autobiography, memoirs by Ted White, Robert Silverberg, David Gerrold, and Lee Hoffman, an essay on Ellison's fiction by Joseph Patrouch, Jr., and a checklist of Ellison's nonfiction by Leslie Kay Swigart. 2000 copies printed of which this is one of 1800 paperbound copies.
THE CITY ON THE EDGE OF FOREVER.
[Clarkston, GA: White Wolf Publishing, 1996.]. Octavo, pictorial wrappers. First printing of the second separate edition, revised. Trade paperback format. The introduction by Ellison is expanded by 15,000 words for this new edition. (This precedes a White Wolf hardcover edition which was a book club edition).
THE DEADLY STREETS.
New York: Ace Books, Inc., [1958]. Small octavo, pictorial wrappers. First edition. Ace #D-312. Paperback original. Collection of short stories based on Ellison's experiences when he was part of a juvenile street gang.
DEATHBIRD STORIES ...
Norwalk, CT: The Easton Press, [1990]. Octavo, leather. One of an unknown number of copies signed by Ellison. Introduction by Terry Dowling. Note from the publisher states "All previous editions had been set from outdated, imperfect, versions of manuscripts. This edition has been extensively revised by the Author...This edition culls all mistakes, restores missing material, and is as close to a Preferred Text as the Author and The Easton Press can offer." Collects nineteen stories. Includes the Hugo Award winning stories "The Deathbird" (1973) and "Adrift Just Off the Islets of Langerhans..." (1974). "Extravagant, highly emotional, sometimes shrill, this has some claim to being Ellison's best book." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 93. Anatomy of Wonder (2004) II-375. Jones and Newman (eds), Horror: 100 Best Books 73. King list, p. 390. Winter list, p. 269.
DEATHBIRD STORIES.
[New York]: A Dell Book, [1976]. Small octavo, pictorial wrappers. First paperback edition. Dell 1737. Signed by Ellison on the title page. Collects nineteen stories. Includes the Hugo Award winning stories "The Deathbird" (1973) and "Adrift Just Off the Islets of Langerhans..." (1974). "Extravagant, highly emotional, sometimes shrill, this has some claim to being Ellison's best book." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 93. Anatomy of Wonder (2004) II-375. Jones and Newman (eds), Horror: 100 Best Books 73. King list, p. 390. Winter list, p. 269.
AN EDGE IN MY VOICE.
Norfolk / Virginia Beach: The Donning Company / Publishers, [1985]. Octavo, cloth. First edition. One of 1200 copies with numbered limitation label signed by Ellison laid in. Collects essays first printed in FUTURE LIFE, L.A. WEEKLY and THE COMICS JOURNAL.
AN EDGE IN MY VOICE.
Norfolk / Virginia Beach: The Donning Company / Publishers, [1985]. Octavo, boards. First edition. Collects essays first printed in FUTURE LIFE, L.A. WEEKLY and THE COMICS JOURNAL.