New York: Doubleday, Page & Company, 1923. Octavo, pp. [1-10] 1-332 [333-334: blank], original brown cloth, front and spine stamped in black. First U. S. edition. Collects thirteen stories, several crime, two of which were used as film sources. Aumonier was a highly regarded short fiction writer, praised by John Galsworthy and James Hilton. Hubin, p. 37. Queen, The Detective Short Story, p. 7.

New York: Signet, 1967. Small octavo, pictorial wrappers. First edition. Paperback original. The first Ed Noon detective novel.

London: W. H. Allen, 1963. Octavo, boards. First edition. An Ed Noon novel. Signed inscription by Avallone, an association copy (on the dedication page): "For Leo & Cylnia-who do too, in their superb editorial way. Mike." The Leo is Leo Margulies editor and publisher. Hubin, p. 38.

Greenwich, CT: Fawcett/Gold Medal, 1960. Small octavo, pictorial wrappers. First edition. Paperback original. Ed Noon.

New York: Curtis Books, 1972. Small octavo, pictorial wrappers. First edition. Paperback original. An Ed Noon novel.

London: Robert Hale, 1971. Octavo, Hardcover. First hardcover edition. An Ed Noon adventure. First published as a paperback original under the title of Little Miss Murder (New American Library, 1971). Ed clients are the President of the United States and the New York Mets.

New York: St. Martin's Press, 1994. Octavo, Hardcover. First edition.

New York: Alfred A. Knopf, 1941. Octavo, cloth. First edition. The second Hannah Van Doren mystery. Babcock was a Black Mask author.

New York, London: D. Appleton and Company, 1926. Octavo, pp. [1-6] 1-120 [121] [122: blank], original decorated red cloth, front and spine panels stamped in gold. First edition. First printing with "(1)" at base of text on page [121]. Weird mystery novel. "Bacon, a successful author in the first quarter of the twentieth century of fiction that was both 'popular' and 'literary', has tended to fall between these two stools in the estimate of posterity. This is unfortunate as she was a skillful craftsman and had things to say, especially on the subject of the emancipated modern woman, where her views manage to contain nuance, skepticism and passion. She also had a recurrent interest in the supernatural, as documented by Dorothy Scarborough in her important early study, The Supernatural in Modern English Fiction. The main titles of relevance here are THE STRANGE CASES OF DR. STANCHON (1913), IN THE BORDER COUNTRY (1909) and the present title." - Robert Eldridge. Locke, A Spectrum of Fantasy, p. 26. Bleiler (1948), p. 37. Reginald 00697. Hubin (1994), p. 40.

Garden City: Published for The Crime Club, Inc. by Doubleday, Doran & Co., Inc., 1942. Octavo, pp. [1-2] [i-iv] v-vii [viii] [1-2] 3-294, original terra cotta cloth, front and spine panels stamped in black, top edge stained terra cotta, fore and bottom edges rough-trimmed, white endpapers. First U.S. edition. A Reggie Fortune novel. Published in the UK as NO MURDER (1942). Hubin (1994), p. 41.

Garden City: Published for The Crime Club, Inc. by Doubleday, Doran & Co., Inc., 1944. Octavo, pp. [1-6] 7-223, original blue cloth, front and spine panels stamped in black, fore-edge untrimmed. First edition. A Reggie Fortune novel. Published in the UK in 1945 by Macdonald as DEAD MAN'S EFFECTS. Mr. Fortune investigates murder and sabotage during World War II. Hubin (1994), p. 41.

Garden City: Published for The Crime Club by Doubleday & Company, Inc., 1946. Octavo, pp. [1-4] [1-4] 5-6 [7-9] 10-250 [251-252: blank] [note: first and last leaves are blanks], original red boards, front and spine panels stamped in black, fore and bottom edges untrimmed. First U.S. edition. A Reggie Fortune novel. Hubin (1994), p. 41.