Ash-Tree Press


ASH-TREE PRESS

by Boyd White

     Between 1994 and 2010, Ash-Tree Press published 153 titles in hardcover and paperback. Specializing in the classic British ghost story and under the editorship of Barbara and Chris Roden, the press reissued virtually unobtainable collections such as Ulric Daubeny’s The Elemental (1919), Margery Lawrence’s Nights of the Round Table (1926), and Eleanor Scott’s Randalls Round (1929), as well as equally rare novels like Marion Fox’s Ape’s-Face (1914), M. Y. Halidom’s The Woman in Black (1906), and Alan Hyder’s Vampires Overhead (1935). Through the efforts of noted researchers and scholars including Jack Adrian, Richard Dalby, Hugh Lamb, and Jessica Amanda Salmonson, Ash-Tree Press also issued previously unpublished collections of ghost stories by established masters of the genre, such as A. M. Burrage, Shamuz Frazer, and H. R. Wakefield. Most importantly, in addition to A Pleasing Terror (2001), the definitive volume of M. R. James’ complete ghost stories, Ash-Tree Press produced multi-volume and omnibus editions of the collected supernatural fiction of other prominent classic authors, such as E. F. Benson, Mary Elizabeth Braddon, John Buchan, A. Conan Doyle, Vernon Lee, J. S. Le Fanu, and Edith Nesbit, books all distinguished by their highly informative, well-researched introductions. The press’ anthologies of contemporary writers, such as the World-Fantasy-Award-winning Acquainted with the Night (2004), were among the first publications to feature original work by authors who are now regarded as some of the most significant writers of literary supernatural fiction, including Peter Bell, Helen Grant, Glen Hirschberg, Jane Jakeman, Reggie Oliver, and Ron Weighell. In expanding their focus to include new authors, Ash-Tree Press also published several volumes that have come to be recognized as cornerstone collections of weird fiction, most notably Terry Lamsley’s Conference with the Dead (1996) and Steve Duffy’s The Night Comes On (1998). For any collector or scholar interested in the history and development of classic and contemporary supernatural fiction, particularly the tradition of the British ghost story, the work of Ash-Tree Press is indispensable.